Where is Sara Gómez? 2005

Born in 1943, Sara Gómez studied literature, piano, and Afro-Cuban ethnography before becoming the first female Cuban filmmaker. A woman of great intelligence, independence and generosity, she was a revolutionary filmmaker with intersecting concerns about the Afro-Cuban community and the value of its cultural traditions, women's issues, and the treatment of the marginalized sectors of society.

Zafiros, Locura Azul 1997

House Swap 1985

Gloria, Yolanda's mother, exchanges their old house in Guanabacoa for a modern apartment in Vedado to keep Yolanda away from her boyfriend, but her plans soon backfire.

One Way or Another 1977

In Miraflores, Cuba, the growing romance between Mario, a factory worker, and Yolanda, a schoolteacher, throws into relief the differences in their perspectives and values in Revolutionary Cuba.

Río Negro 1977

Tirso Fabre, a militiaman and member of the Black River co-operative farm, and Chano Carrillo, a counterrevolutionary hiding behind his front as a Castro sympathizer, receive the news in different ways, in line with their antagonistic ideological positions.

The Last Supper 1976

A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.

Ustedes tienen la palabra 1973

Rebuild, in the same place of events, a trial held in 1969 to four men, accused of sabotage for having caused the fire of a forest plan that caused the death of eight people and large material losses. At the same time, it analyzes retrospectively the circumstances that contributed to the occurrence of the crime.