March 2020. Véra makes a quick trip to Paris to feed a friend’s fish and water her plants while she’s hospitalized with a mild case of Covid. France is already abuzz with rumors of the spreading virus. But instead of hopping on a train back to Montpellier, as planned, she impulsively lies to her fiancé and says all trains have been canceled and she’s stuck in Paris… just as everyone else is hightailing it out of the city and the entire country goes into lockdown. So Véra holes up in her friend’s apartment, relieved to have a bit of quiet time to herself. Then she crosses paths with Sam — a chance meeting that changes her life.
Jilted on his wedding day, Laurent, a stage actor playing the role of the famous seducer Don Juan, cannot help but see his ex-fiancée in every women he meets. In an attempt to mend his broken heart and ego, he tries to seduce them all but none are receptive to his elaborate (and musical) advances. Meanwhile, at the theater, the leading lady quits and the production brings in Laurent’s ex-fiancée as the replacement.
Etienne, 18, tries to find his place within his family. The father, a former skinhead, can’t bear any longer his son’s behavior. He finds him indolent, lazy, dreamy, a night bird. Yet the young man is looking for his father’s admiration, while opposing him at the same time. This paradox, this identity crisis will bring Etienne to a point of no return one morning when his father asks him to come and help him dismantle a small camp of refugees just outside the village.
An actress will play Barbara, the French singer. The shoot will soon start. The actress works on her character, her voice, the songs, scores, the gestures, knitting, scenes she has to learn, things are going okay, there's progress, development, she is even overwhelmed. The film director also works, through his encounters, through archives, music, he let's himself be submerged, overwhelmed like the actress, by the actress.
On the morning of 23 August 1944 Sacha Guitry was arrested at his Paris appartment, as the French capital was being liberated. Accused of collaboration with the enemy, the author of successful plays ("My Father was Right," "Let's Make a Dream," "Quadrille") and director of the theatre of the Madeleine was to remain captive for sixty days. His detention took from from the depot, to the Vel' d'hiv', then Drancy, and finally Fresnes Prison.
During the Nazi occupation of France as two filmmakers attempt to navigate their careers without compromising their ideals. Facing pressure from the Vichy government, assistant director Jean Devaivre uses his position at the German-controlled studio Continental Films as a cover for his resistance activities, while screenwriter Jean Aurenche uses his wits to keep from being involved in the creation of any collaborationist propaganda.
A subsidiary of Générale Financière d'Investissement (GFI), Medic-Hall, a medical equipment company, employs nine salespeople. As part of the restructuring of the group, management decided to separate from them, without paying them severance pay. For this, the company called on Sébastien Jalabier, a degreasing specialist, who undertakes to make them resign by resorting to various means of pressure: tracking down professional misconduct, humiliation, bullying, thankless tasks ...