Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.
Romina returns to her roots to rediscover who she is. After the first overwhelming years as a mother, it's as if the mist starts to rise: she's a little too old for disco parties and hanging round with twenty-somethings, but still young enough to fantasise about others. Actress Romina Paula points the camera at herself, her son and her mother in this intriguing mixture of documentary and fiction.
An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…
Pablo and Lucia live together. Pablo buys an All-Inclusive in Brazil online as a surprise for Lucia but his boss firing him, so Pablo tries to cancel the trip but he can't. They travel anyway, but Brazil waits with nothing but trouble..
Roque Waterfall leads, at age 30, an unproductive life living off a small family inheritance that leaves him enough free time to wander around in the nights of Buenos Aires. One day he meets Hans, a German intellectual who will try to make a documentary about Roque and people like him, people who do nothing.
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.