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In some vacant area in the Buenos Aires province, Diego is taking part in a radio contest that consists of answering a series of questions about his beloved team Racing Club. Meanwhile, in the blink of an eye, a man falls from the sky on the hood of his car, another man ends up gagged in the trunk, a secret agent shows up weapon in hand and a plane crashes just meters away.
Cecilia and her son embark on a journey. On the third day, she is found wandering alone, not remembering what happened during this time. She is desperately looking for her son and finds herself wrapped in a brutal hunt, carried out by a religious fanatic, whom she faces off against. To her, he's a lunatic. To him, Cecilia is the enemy.
Lorenzo, a quiet teenager lives in a small town at the edge of the world in beautiful Patagonia. He’s a good student and a curious and smart person, more skilled in music and literature than sports. Lorenzo’s father decides to host Caito, the son of a friend from Buenos Aires who had to go to hospital for a long stay. Caito has obviously a different family background and seems to be a tough kid. Lorenzo finds Caito very intriguing in many ways as they start spending a lot of time together…
Angel is one of those typical macho’s who does not hold women in high regard. With his fancy talk, his tight suit and his fashionable job as a director of publicity spots, he has ample opportunity to grab as many young aspiring actresses by the pussy as he can. His wife and kid are left to deal with the consequences. This is now drastically coming to an end. One night, when there’s once again not enough blood flowing through his brains and too much through his nether regions, he walks into a trap set up by a circle of Celtic Goddesses. They transform him into a zombie and make him a pawn in their plan to end male dominance one and for all. Luckily Angel’s not alone. He’s part of a brotherhood of undead macho’s. They do not only exchange tips in how to mask their increasingly penetrating body odor, they also come up with a plan to sabotage the Goddesses.
Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.
The story focuses on Felipe Mentor, an ambitious and successful entrepreneur forties. Her company, called Mentor, is ascendant, to signing an agreement with a prestigious firm. Personally, Philip is married to a beautiful and charming woman named Luz, who seems to be the perfect woman. She runs her innermost desires and shown to Felipe madly in love and happy. This is because light works for a firm called Hit Life, a company that makes the dreams and aspirations of people from becoming reality.
The story tells of four moments in the lives of four women: Vera, rising journalist but dissatisfied with life, trying to be the best without knowing where; Lina, always surroended by incense and saints, looking for the love of his life in a television character; Mara Bestelli, who is artificially inseminated without telling her partner that lives abroad; and Inés, whose only goal in life is to marry regardless of the reason for this decision.
After 12 years, Sofía and Rímini decided to separate. While Rímini finds it easy to move on and start a new life, Sofía stays stuck in the past and constantly harasses him. She reappears again and again on Rímini's horizon to reconquer him, torture him or redeem him.
Mariana and Martin have similar lives: the same loneliness, the same neurosis, even the same apartment, but they can’t meet. Their only link is also what separates them: the sidewall.
Pep Munné is an aging plastic surgeon who falls for a young female assistant (Mariana Anghileri) while attending a medical conference. Soon he begins inventing new reasons to spend more time with her. His wife Cristina (María Barranco) begins meeting with a psychiatrist (Jean Pierre Noher) in order to figure out what is going on in her marriage.
A long night's journey into day: Victor, a street hustler in the Santa Fe and Pueyrredón neighborhoods of Buenos Aires, from the evening of November 1, All Saints Day, to the dawn of November 2, All Souls Day. Victor's odyssey takes him from clients to friends to a gay gym then a hotel room and an all-night café. He plays pick-up soccer with kids whose parents are going through trash or waiting in parks. A vendor gives him a chrysanthemum. It seems he's being followed, and on the night streets, death is close at hand. Can Victor survive until dawn?
The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.
One more Saturday in a desolate Buenos Aires hard to recognize. Six young people that try to avoid their solitude by complicating their daily routes, unsuccessfully looking for a glance that changes something or a new sensation that reveals them some sense. A couple used to their common tediousness, a girl who has already decided she wants to be alone, his boyfriend who does not know how to deal with that, a famous actor who does not seem to feel comfortable anywhere and a girl who pretends to get fun without realizing she's always bored.