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Marian Dora is the pseudonym most commonly used by an anonymous German director, cinematographer, actor, screenwriter, editor, producer, composer, assistant director, makeup artist, special effects/sound/camera/electricity technician, and set decorator/designer, anagram of his actual name, occasionally also credited under several other pseudonyms.
Dora’s main influence is the European cinema of the 70s: he is a great admirer of the work of Italian directors Gualtiero Jacopetti, Ruggero Deodato, and Sergio Martino, as well as of composers Riz Ortolani, Pippo Caruso, Ennio Morricone, and Guido & Maurizio De Angelis.
Europe’s literary and poetical tradition is another major influence on Dora: many dialogues in his films contain references to the works of Johann Wolfgang von Goethe, Eduard Mörike, Georg Büchner, Marquis de Sade, Friedrich Nietzsche, and many others.
The actors Thomas Goersch and Marco Klammer talk about films, filmmakers, the events during the filming of "The Desire of Maria D." as well as about themselves.
Delves into the history of the most extreme and shocking films that have ever been made. chronicles the timeline of Red Films: those films that are too extreme for the mainstream and historically have been circulated via the bootleg circuit.
On a trip to the Aegean, Maria D., who lives withdrawn and is shy of people, is confronted with the impressions of an archaic culture. Fascinated by the morbidity and religiosity of the people living on a Cycladic island, she decides to put an end to her loneliness.
"Revisiting Melancholie der Engel" follows in the tracks of Marian Dora's infamous "Melancholie der Engel" ("The Angels' Melancholia"). Locations, stories and, of course, Marian himself.
Deep within the underbelly of Paris, there is a club which is the home of a secret, wicked society. At first it resembles an ordinary fetish or Goth nightclub, but within the cavernous building are many hidden rooms, one of which is known as "The Room of Souls," a private gathering place of the world's richest and most evil people. Their host is the elegant yet frightening Madame Sabatier. For their amusement each member takes a turn and spins a true tale of depravity.
The film, released on DVD in 2014 as part of a boxset also containitng Melancholie der Engel (2009) and Reise nach Agatis (2010), deals with the everyday life of a man, Carsten , who works on the set of the 2004 Ulli Lommel film Zombie Nation. At the same time, he is planning to realize his own film, a task he finds extremely difficult.
Germany. Two friends - Katze and Brauth - meet again after a long time in a sad context, to share their last days of life in an old house lost in the countryside. They invite a group of people (two minors, a woman, an elderly man and his younger companion who moves in a wheelchair) with the aim of putting into practice their most twisted fantasies, giving life to a nihilistic orgy with disconcerting results.
Cannibal is based on the true-crime story of Armin Meiwes, the "Rotenburg Cannibal" who posted an online ad searching for someone to volunteer to be mutilated and eaten. Unlikely as it may seem, someone actually replied. The film shows a fictional portrayal of the meeting between the cannibal and his victim/participant, their homosexual relationship, and the eventual mutilation and murder of said victim.
Veteran Boogey Man and Zodiac Killer director Ulli Lommel continues his long tradition of delivering tense thrills with this relentless look at the life of the elusive, Kansas-based serial killer known to authorities only as "B.T.K." before his arrest...
A short film made by the controversial German director Marian Dora, the video shows a church in San Angelo (Texas) which displays unearthed corpses.
Footage from slaughterhouse with sacral music, similar to Dora's 'Carnophage' but with a lot more ambiental, non-narrative aspects.