The Parakultural is a mark, a lost dream, a battlefield. Those who never attended the Parakultural, shelter of original artists, home of an orphan audience and a cursed monument of reconquered democracy, do not know what they missed. The film is the portrait of a generation that doesn’t forget.
Dina has not seen her three children for many years. They escaped their excessive control and live abroad. She can't get over her aerophobia to go visit them. She can't take it anymore without seeing them, and with his friends she sets up a mock of his funeral to force them to come and see her, but her plan will unleash madness. Who would think that this plan will work?
Batato Barea, the “clown/intellectual/transvestite” was a genius of the underground scene who was able to represent all the nuances of a changing country with his own poetic radicalism, in such a unique way that it made him irreplaceable. That paradox is the basis for this documentary by Peter Pank and Goyo Anchou, two authors in search of a character and his legacy, but also his irreplaceable presence and instantaneous, evanescent theatricality, which challenged every mandate and convention.
After the accidental death of his mother, Andres has to move in with his grandmother, Olga, and his estranged father Raul. Andres, who doesn't like to take a nap, wanders curiously through the neighborhood, where an illegal detention center is hidden, something everyone knows, but no one dare mention. Courage and fears will be tested with lasting consequences for all.
"Three minutes" is a film in the fantasy genre. It is the love story between Alex, a journalist who, forced to speak very quickly in his newscast, must take this substance that accelerates his nervous system and Ana, a young piano student who in order to become a concert pianist, needs to gain speed in her piano playing. They both end up over accelerating and finding each other in a parallel world where everything around them seems to have stopped moving. In this motionless world, they will live their great romance.
Love and morality collide in a small Argentinean town when teenage Marianito (Federico Canepa) falls in love with Chiche (Andrea Galante), who's 10 years his senior. When she becomes pregnant, the two decide to make a life together despite hostility from family and friends. But can love survive in the face of so much opposition? Written and directed by Fernando Musa, this intense character study co-stars Ingrid Pelicori and Enrique Liporace.
A young working mother in Buenos Aires, Ana reads a note suggesting a relationship kept hidden by her husband, an executive preoccupied by his job. To solve the mystery she travels a long distance to Rio Escondido, an unimportant river town at the foot of the mountains in western Argentina, and the film becomes a journey of discovery as she finds her heart and her passion. Along the way, truths and perceptions intertwine when Ana meets Martin and she learns who and what he is.
In a dystopian society, a government uses therapy and dreams to recover, or perhaps implant, memories to those lacking them.
The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.