Marco Tullio Giordana (born 1 October 1950 in Milan) is an Italian director and screenwriter.
His film Quando sei nato non puoi più nasconderti was entered into the 2005 Cannes Film Festival.
Description above from the Wikipedia article Marco Tullio Giordana, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In Vicenza, a beautiful Italian art city, a young wealthy couple joyfully welcomes the birth of a long-awaited daughter in the early 1980s. But the child’s face is disfigured by a red birthmark that covers half her face. This spot haunts the mother to the point that she rejects her responsibilities as a mother. The child’s aunt, a famous concert pianist, takes over her education, thus discovering her exceptional musical talent.
A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.
A complete and never-before-seen portrait of the life of a young girl from Pula (Istria) who quickly became one of the most famous and beloved actresses of Italian and international cinema, told through the words of her unpublished letters and diaries, photographs, homemade films in 8 mm, and new interviews with her relatives, friends, and collaborators.
The life and work of Giuseppe Bertolucci, as told by his father and brother, friends and colleagues.
Lea grew up in a crime family in Calabria. The father of her daughter Denise is also a member of the Mafia. Lea, however, wants a different life for her daughter, free of violence, fear and falsehood. She decides to cooperate with justice, to benefit of the witness protection scheme and attempts to run away... Inspired by the true story of Lea Garofalo, the struggle of a woman to escape the Mafia.
On December 12, 1969, a bomb kills 17 people at the Piazza Fontana national bank in Milan, Italy, marking the beginning of the Years of Lead. Local anarchists are scapegoated for the massacre by police and the media, but a lone prosecutor uncovers a conspiracy of far-right groups, corrupt secret services, and other interests that seek to undermine democracy.
The life of a Northern Italian middle-class family is turned upside down after their 12-year-old son falls overboard during a sea trip, only to be picked up by a boat of illegal immigrants.
Various generations of filmmakers talk about what cinema means for them.
After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.
Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.
November 2, 1975: Pier Paolo Pasolini is murdered in the outskirts of Rome. The suspect, a 17-year-old hustler, pleads to have acted in self-defense, citing Pasolini's notorious sexual habits as proof. However, many inconsistencies start to undermine his version, pointing to him not having acted alone or even being assaulted in the first place. Was Pasolini also killed for another reason?
Four lighthearted stories set in the idyllic Italian countryside: an old grouch is befriended by a stray dog; a lonely widow spies on her newly-wed son and daughter-in-law; a German tourist tries to seduce a younger nurse. The fourth segment was cut in the US by its distributor Miramax.
Who is the mysterious stranger Cecilia met on the street? Why is he suspicious of everyone? She is happily married, has a lovely child and a good job: yet she decides to join him and to become his lover, sharing his destiny right up to its tragic conclusion.
Much-censored documentary encompassing thirty years of Italian politics under the governance of the Christian Democracy (DC), entirely composed of — occasionally dubbed — archival footage.