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Marc Ribot is an American guitarist and composer.
His work has touched on many styles, including no wave, free jazz, rock, and Cuban music.
Ribot is also known for collaborating with other musicians, most notably Tom Waits, Elvis Costello, Vinicio Capossela and John Zorn.
A musical documentary celebrating the life and work of glam rock pioneer Marc Bolan, combined with a behind-the-scenes look at the tribute album of the same name.
A road trip, over ten years, across the so-called Amexican border, a mythical boundary, both physical and cultural, that separates the United States of America from the United Mexican States; a journey in search of the multiple stories of those who inhabit it or are passing through: an audacious expedition that aims to paint a colorful fresco where politics, violence, visual poetry and frustrated ambitions cruelly coexist.
Five days in the life of fabled Greenwich Village guitar store Carmine Street Guitars.
We aren't dying the way we used to. We have ventilators, dialysis machines, ICUs-technologies that can "fix" us and keep our bodies alive-which have radically changed how we make medical decisions. In our death-denying culture, no matter how sick we get, there is always "hope." Defining Hope tells the story of patients dealing with life-threatening illness as they move between ICUs, operating rooms, hospice care and home. Diane is a nurse caring for end-stage cancer patients when she is diagnosed with ovarian cancer herself. 23-year-old Alena undergoes a risky brain surgery that destroys her short-term memory. 95-year-old Berthold lives with his elderly wife who struggles to honor his wish of dying peacefully at home. Defining Hope follows these patients and others- and the nurses that guide them along the way- as they face death, embrace hope, and ultimately redefine what makes life worth living.
Director Dmitry Lavrinenko, famous for his documentary about the rock band Auktyon (АукцЫон) "Encore", mounts the story of Fedorov from images equally momentary and eternal, and stories at the same time everyday and worldly. Phantoms and chronicles, tales about recording the first solo album in an unheated Lendok studio, a confessional story about the death of his father, memories of meeting Henri Volokhonsky and Khvost (Aleksei Khvostenko), who scared dad with his complete freedom from reality, drinking vodka at a meeting with grateful and not very listeners. Behind the mosaic painting is a whole story about the thorny path of the artist, the courage to leave the comfort zone and spiritual poetry, which the film is looking for a visual equivalent.
A look at NYC’s gentrification and growing inequality in a microcosm, Class Divide explores two distinct worlds that share the same Chelsea intersection – 10th Avenue and 26th Street. On one side of the avenue, the Chelsea-Elliot Houses have provided low-income public housing to residents for decades. Their neighbor across the avenue since 2012 is Avenues: The World School, a costly private school. What happens when kids from both of these worlds attempt to cross the divide?
Many-many words have been written and a few ingenuous TV documentaries have been filmed about the great Russian rock band Auktyon (АукцЫон), which recently celebrated 30 years of playing music. Everything is completely different in the case of the film Encore: it took seven years for the director, Dmitry Lavrinenko, to make it; he needed just that amount of time to capture the wayward grace still preserved by Fyodorov, Garkusha, Ozersky and their associates. If you look behind the powerful music façade, you find not a story of a band but chronicles of a voyage aimed at incredible, incomparable music. Encore shows how the songs which are now known by heart were composed; it also shows things generally left aside: pieces of everyday life, tour diaries, conversations, including the key phrase: “You should not look at the liberty too much, you might feel dizzy.
After twenty years of broken bottles and empty hallways, Mort Gleason witnesses his nephew Moo being beaten while in a drunken stupor. The short contact with family brings Mort back to what are left of his senses and he returns to the last home he remembers in Chicago. His sister Eileen lives in their family home now with her sixteen year old son, Abe. Her older son Moo, the now missing nephew, helped spark Mort's return to his family. Three, four, five weeks pass as Mort waits outside his home and makes a tenuous re-entry into family life. Abe dreams of a sailboat and distant horizons. He saves money and sees an advertisement for the Kathy II. He and his friend calculate a way to buy the vessel from two unscrupulous rogues who make ends meet wholesaling liquor and operating a sometime boatyard.
Part Two of John Zorn's COBRA (see April 16 for Part One).
In "The Soul of A Man," director Wim Wenders looks at the dramatic tension in the blues between the sacred and the profane by exploring the music and lives of three of his favorite blues artists: Skip James, Blind Willie Johnson and J. B. Lenoir. Part history, part personal pilgrimage, the film tells the story of these lives in music through an extended fictional film sequence (recreations of '20s and '30s events - shot in silent-film, hand-crank style), rare archival footage, present-day documentary scenes and covers of their songs by contemporary musicians such as Shemekia Copeland, Alvin Youngblood Hart, Garland Jeffreys, Chris Thomas King, Cassandra Wilson, Nick Cave, Los Lobos, Eagle Eye Cherry, Vernon Reid, James "Blood" Ulmer, Lou Reed, Bonnie Raitt, Marc Ribot, The Jon Spencer Blues Explosion, Lucinda Williams and T-Bone Burnett.
A rare peek into the working methods of John Zorn. Filmed over a ten year period, this documentary includes live footage of Masada, Naked City, Cobra, as well as improvisations, his classical work and rare interviews. A prize winner at European festivals, this film documents Heuermann's very personal, fifteen year odyssey with the music of John Zorn.
Documentary examining contemporary Jewish musical culture in New York's avant garde Jazz scene in the 1990s.
In Memphis, Tennessee, over the course of a single night, the Arcade Hotel, run by an eccentric night clerk and a clueless bellboy, is visited by a young Japanese couple traveling in search of the roots of rock; an Italian woman in mourning who stumbles upon a fleeing charlatan girl; and a comical trio of accidental thieves looking for a place to hide.
Bringing his unique sense of humor to this bizarre and original piece of moviemaking, Tom Waits takes the audience through a musical journey with his jazzy, quirky, bluesy tunes presented as you would never, ever, ever expect.