Manuel Gutiérrez Aragón (Torrelavega -Cantabria-, January 2, 1942).
Spanish film director, screenwriter and writer.
Graduated in Philosophy and Letters, in 1970 he graduated as a filmmaker at the Escuela Oficial de Cine de Madrid.
In 1973 he debuted as a director with Habla, mudita and won the Critics' Prize at the 1974 Berlin International Film Festival and an Oscar nomination.
Between 1974 and 1975 he wrote the screenplays for Las truchas, Furtivos, and Las largas vacaciones del 36 and established himself as one of the best directors of his generation with Camada negra (1977), Sonámbulos (1977) and El corazón del bosque (1978).
A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.
How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.
How Don Quixote de la Mancha, the immortal character created by Miguel de Cervantes in 1605, has been depicted in cinema, television, cartoons, theater, opera, ballet and other artistic disciplines. An adventure that began more than four hundred years ago in the pages of a book and is far from coming to an end.
Spain. The Basque Country. Sometime in the 90s. Josu Jon, a young member of a terrorist organization, has suffered an almost complete memory loss after being wounded in a shooting with the Spanish police. As he awaits for his trial, his condition is being treated at the prison hospital. Other inmates belonging to the same organization try to make him remember how brave a "gudari" -a Basque soldier- he is and how he must go back to the armed fight for the independence of their country as soon as he gets out of prison. Meanwhile, Xabier, a college professor who has been death-threatened by the terrorists due to his political views on the Basque situation, is having an affair with Francesca, a young psychologist who happens to end up trying to help Josu Jon recover his memory. A warm feeling of mutual affection grows between her and her patient. At a point, it doesn't seem to be clear whether Josu Jon really wants to recover his memory or rather forget forever who he actually is.
Simón transports illegal immigrants to New York, leaving them to their fate. When he is discovered by the coastguard, a young sailor, named Andrés saves his life. But when Andrés falls for Marie—a young protegée of Simón's—conflict erupts.
A fight over the calf of a prize milk cow in the close-knit and traditional Pas Valley of Cantabria leaves a cantankerous dairy farmer dead and another fearful of arrest. He and his daughter Val conspire to keep the cause of death quiet, but tensions mount when Val becomes attracted to the dead farmer's son, Rai, estranged from his father and now a hairdresser in the city. The tensions open long-festering family resentments and spur the lurid imagination of Val's younger sister, the teen Genia. "What goes unsaid, gets undone," the Pasiegos say, but is it true? Is there harm in staying silent?
A small family of travelers arrives after a long journey at a village hut, which they claim as home. The family consists of Damian, a mute but skilled hunter, his wife Priscila, and their two children, a mute son named Pablo and a beautiful daughter named Agueda. Before long, Don Rodrigo, the feudal lord of the village, sets his sights on both Priscila and Agueda.
In 1939, Ramón was a young man, caught up in his Barcelona family's involvement on the Republic side in the brutal Spanish Civil War. He and his family fled into exile ahead of Franco's troops. Now it is many years later, and he has come back to see how his old homestead fared in the intervening years. The only person he can find who is able to remember those years clearly is his family's old butler Claudio.
After the civil war, Rosa, a beautiful and hard worker woman falls in love with a sharpener who turns out to be a con man. When she becomes a widow, she emigrates to Madrid with her daughter beginning to work as a nurse in the home of Don Pedro, an influential food manager.
A young Catholic girl takes viewers through a changing Spanish political and social landscape as she develops from her confirmation day to adulthood. Her first experience with the real Spain comes when her Jewish godfathers cannot come to her confirmation. One of the godfathers, using a ring, poses an early challenge to her innocence that puts her in danger. He later returns, indirectly introducing her to a new boyfriend. If he is one of the symbols for Jewish life under Franco, or for a Judeo-Christian interaction, that interaction is complex. The young woman encounters different lovers as she grows into adulthood, but at the same time she is burdened with financially supporting her father and his own rather decadent lifestyle. Again, this difference in generations could be understood as a difference between the "new" and "old" Spain; it is up to the viewers to interpret the story elements as they decide.
Told in a manner more common during the Franco era, this movie tells the story of a man who fought with the Republican forces during the Spanish Civil War (1936-39) and has been hiding in the hills for 10 years. Local people help him avoid constant searches by the police, who know he is there. A returning exile seeks him out to try and get him to surrender, with tragic consequences for both of them.
Ana works side by side with her mother Maria Rosa in the fight to save the anti-Franco militants from the death penalty during the process of Burgos. Ana's mother is a former actress and Ana, her mother and a few other actors prepare an act of protest in the theater where an international festival on Strinberg is being held. But there are more things in Ana's life. The mother lives with her uncle, the brother of his father, Norman, an old doctor of devious methods. Helped by Fatima, an old nurse who loves her father, the doctor will try to experiment with Ana's ideas and feelings as well