atau dikenal sebagai
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
13-year-old Sachiko is about to encounter the most difficult moments in her young life. Her father abandons her and her mother attempts to commit suicide by slashing her wrist. Her teacher, whom she relies on heavily, leaves for northern Japan to take another job. Other students start to gossip about Sachiko and her former teacher. Sachiko then drops out of school and attempts to find herself.
The best must be the freshest. The best sake also follows the same principle to brew in which it needs the best and freshest raw materials, and also the freshest virgin to make it? Visiting one of a Japanese pub that seems to offer the best warm sake, Mononobe tries to follow the steps to reproduce the same flavor. However, he suddenly found out that those flavors are actually a combination of sake, sweat, and other bodily secretions of a virgin. As his only daughter is not a virgin anymore, the only way to make the best sake without a pure virgin is...
A drunk husband has a gambling compulsion that ends up putting him in a bad way with the local Yakuza. Unable to pay his debt, he hocks the deed to his wife’s restaurant in order to stay out of trouble with the thugs. But it’s not enough. The wife has to sacrifice her body as well.
After school two virginal high school girls, Mari and Emi, decide to visit a disco club in the red light district. While Mari is dancing to the beat Emi is picked up by two men and sexually assaulted. The next day the two men try to force Emi into prostitution. When Mari finds out what happened to her best friend she burns with revenge… and conceals a razor.
An erotic drama reflecting the painful lust of two couples living in a residential complex. When a man got drunk, he undressed his wife and tied her up, and was a pervert who enjoyed insidious pleasures. The wife also experienced the joy of abnormal guilt, but was not satisfied with this one and started an affair with a man from the next room.
Triple play of passion! Three bodies entwined in a dizzying rapture! In the bedroom, Tomoko, Hiroshi, and Yukie's naked bodies intertwine, writhing in agony and rapture, and Tomoko's voice echoes, "Who shall we visit tomorrow?"
The roaming outlaw Okayo, also known as Benten due to the prominent tattoo of the Buddhist Goddess of Love emblazoned across her back. On the run from her persecutors, who seek to claim the tattoo and its skin canvas as a bounty, Okayo finds a safe haven in the arms of the mysterious shakuhachi (bamboo flute) playing Seigaku, himself tattooed with the image of Kisshoten, the Goddess of Prosperity.
After her husband's suicide, young and beautiful Mitsuko Fuji feels alone and helpless -- until one of her husband's major creditors, Mr. Kito, offers a sympathetic ear and a cancellation of all debts. However, Mitsuko soon learns that Kito's intentions are anything but pure, as she's forced to become his personal concubine. Her only, improbable hope for redemption lies with her one true admirer: Kito's very own son.