Elham is about to marry a young rich guy. But the guy's mother tells her that she doesn't like her nose and before the marriage she should make a plastic surgery and fix it. Elham does the ...
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
A documentary from the point of view of an 75 years old man about the history of Melli bank of Iran and it's first days.
Death surrounds Bahman, a director who hasn't made a film in 24 years (he can't get past the censors). He's working on a documentary, for Japanese TV, on Iranian burial practices. On the anniversary of his wife's death, a hitchhiker tells him a story of spousal abuse and infant mortality, he discovers that someone has been buried in his plot next to his wife, and he needs the help of his attorney, a well-connected fixer. He dreams of death, even as he investigates it for his film. His niece's husband, a well-known writer, fails to return home; he searches hospitals for an unclaimed body. His heart disease is flaring up. Is he prepared for death? Is that all that's left?
A man who has fallen in love with a young woman discovers that she is the wife of his friend. When he realizes the woman's affection for a young libertine with whom she is secretly meeting in an abandoned house, he commits suicide. When the local women, out of jealousy, expose her, she also ends her life. Her husband buries her body in the abandoned bathhouse. The young libertine, driven to madness, wanders into the desert.