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Léonce-Henri Burel (23 November 1892 – 21 March 1977) was a French cinematographer whose career extended from the silent era until the early 1970s.
He was the director of photography on more than 120 films, working almost exclusively in black-and-white.
After studying at the University of Nantes, he initially worked as a photoengraver before becoming a camera operator.
At the Film d'Art company in 1915 he was noticed by Abel Gance and began a collaboration with him which extended over 16 films, including J'accuse, La Roue, and Napoléon.
In the period of silent films he also worked on several productions with Jacques Feyder.
During the 1930s he worked regularly with Jean Dréville and Henri Decoin.
With Le Journal d'un curé de campagne, for which he won the best cinematography award at the Venice Film Festival in 1951, Burel began another important collaboration with the director Robert Bresson which continued through three further films.
Burel also directed three films himself between 1922 and 1932.
Source: Article "Léonce-Henri Burel" from Wikipedia in English, licensed under CC-BY-SA 3.
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Un soir sur la plage is relatively interesting; the cast includes highly talented Jean Dessailly, Martine Carol, a cast against type Michel Galabru as the cop.The biggest surprise is sixties starlet Daliah Lavi as a simple-minded nymphomaniac girl who is murdered on the beach. The story is essentially a whodunit: in Martine Carol's house, there are many people (too many people actually) and they all have a reason to get rid of her.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
A captured French Resistance fighter during World War II engineers a daunting escape from prison.
François Donge, a rich industrialist and womaniser, meets a girl nicknamed Bébé who he marries. Ten years later, poisoned by his wife and dying in hospital, he recalls his married life and understands how his wife who adored him suffered from his many affairs and indifference.
An inexperienced, sickly priest shows up in the rural French community of Ambricourt, where he joins the community's clergy. But the locals don't take kindly to the priest, and his ascetic ways and unsociable demeanor make him an outcast. During Bible studies at the nearby girls school, he is continually mocked by his students. Then his attempt to intervene in a family feud backfires into a scandal. His failures, compounded with his declining health, begin to erode his faith.
Republic of Venice, 1760. Pursued by a vengeful husband, the intrepid womanizer Casanova, who symbolizes the decline of the city and its fall into debauchery, manages to escape and, by a circuitous route, arrives in Saint Petersburg, where he will be involved in the many plots that threaten the throne of Czar Peter III…
A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797.
Adapted from Jules Verne's 1876 novel Michael Strogoff, the film tells the tale of a Russian courier named Michael Strogoff who has to dash across Russia with a vital message for the tsar's brother, wrestling with bears and fighting off ferocious Tatar rebels along the way. Captured by the Tatars, he is brought before their leader and blinded with a red hot sword by the executioner.
A young boy living in the Swiss Alps struggles to come to terms with his mother's death and his father's remarriage which brings a new mother and step-sister into his family.
Sisif, a railwayman, saves a young girl named Norma orphaned by a train crash and raises her as his own daughter alongside his son, Elie. As she becomes an adult, Sisif grapples with whether to tell Norma the truth about her parentage.
As Jean is walking across the countryside in search of work, he helps and befriends a young woman, Françoise, who is having trouble controlling the cow that she is leading. Jean finds work at a local farm, but he soon finds himself caught in the middle of the conflicts in Françoise's family.