Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.
Atilio begins a new life when his daughter moves him to a nursing home, where he meets Beto, a clever and resourceful man. Together, they sneak out to visit Atilio’s late wife’s grave and accidentally witness a money laundering operation in the cemetery, involving hidden cash in a coffin. Inspired by the chance to change their lives, Atilio, Beto, and Doña Rosa—a sharp woman from the home—team up to investigate the scheme, hoping to seize the opportunity and find new purpose.
Residents of a small rural town discover that a demon is about to be born among them. They desperately try to escape before the evil is born, but it may be too late.
Buenos Aires, November 2001. Argentina is embroiled in crisis, with the Peso plunging deeper and deeper. Julio Färber, the charismatic bandoneon player of the 'Vecinos de Pompeya', a five-piece working-class tango band, is trying to keep his head above water, but every month he is earning less and less from their gigs as well as from the traditional shoe shop he inherited from his father. At the very moment he takes the decision to leave his beloved Buenos Aires forever, it clearly appears that life is conspiring against him: overnight, the government freezes all bank accounts in the whole country, preventing Julio from purchasing the flight tickets and sparking violent protests throughout the town. And Mariela, a witty young woman and feisty cab driver, bumps into his car at full speed, damaging Julio's last possession of value before stealing his heart.
Correa is a retired boxer who spent much of his life running "errands" for Bernal, a violent mobster, who was also his former manager. A mistaken murder and his loyalty led to a few years in prison. Upon leaving him, he decides to turn his life upside down with Rosa, a prostitute who is the victim of a trafficking network commanded by Bernal and the police.
Down on his luck and recently divorced, Paulo has begun driving a cab around Rio, hoping he’ll make enough to send his ex money to support their ten-year-old son. He mostly works nights, so in addition to his encounters with a colourful variety of customers, colleagues, cops and others, he must cope with loneliness, fatigue and new faces in his life.
A woman and her 14-year-old daughter, who is a sleepwalker, in the midst of awakening. A marriage on the edges of a silenced crisis. A ritualistic, matriarchal, and endogamous family. Grandmother, siblings, cousins. A new summer, sweat, alcohol, traditions. Naked bodies, changing bodies, and the gazes upon those emerging bodies. A new New Year's celebration in the old historic family mansion is the trap for the sleepwalkers to finally awaken.
After the death of his wife and his young daughter in a traffic accident for which he was responsible, Luna falls into a large pit of depression. Neither medication nor religion help him to keep going. Until one day, Luna has a dream that he receives as a revelation. In that dream, he sees himself driving a car and carrying a woman, Selva along with his son Beni. Luna takes it as a challenge and attempts to carry out his mission: to save the woman and the child from the dream.
Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.
Prostitute Roberta lives with her brother and demented mother in an Argentinian rural village. Mother warns Roberta that she can have sex with almost any man in the village, except one – because then she would be killed. However, this last candidate, Sicilio, has put his sights on her.
This incredibly disturbing story follows the exploitation of an apprentice butcher, Hermógenes, and his trial after he murders his boss in broad daylight. Hermógenes, a farmhand from northern Argentina, relocates to Buenos Aires in search of a better life for himself and his young wife, but soon finds himself at the mercy of a corrupt boss. The film is based on a thorough investigation of a real event that happened in Buenos Aires 10 years ago. Almost every scene in the film is inspired by real facts or based on well documented daily practices of the “meat business” and its environment. Both a shocking exposé of unscrupulous practices in the meat industry and a heart-wrenching personal story, El Patrón became one of the most successful Argentine films of 2014.
Buenos Aires, Argentina. Sebastián, a successful lawyer, leaves his ex-wife's condo, located on the seventh floor of an apartment building, to take his two children to school. While they run down the stairs, he uses the elevator. Once on the ground floor, Sebastián awaits the arrival of the children.
A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.
Carmen Uranga is a 42 year-old woman who after 20 years jurisdiction of her native country (Argentina), she returns to solve a family problem related with the inheritance that her sick father wants to leave him. Their return trip results in the unavoidable memories of the torture that that was object during the dictatorship and a dramatic revelation.
Set in Argentina in 1965, the story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of crime history. After a large-scale hold-up that turns bloody, the two men must flee. It is not long before the police are surrounding the building they are in and they must confront their demons to survive.