Luis Raúl takes over the arena stage for his final stand-up show, recorded live at Puerto Rico's renowned José Miguel Agrelot Coliseum in San Juan on September 14, 2013. Many jokes include being the first stand-up comedian to perform at the venue and his comparative to other artist's demands when visiting a venue opposed to his demands, to the importance of one's eyes (theme of the show), traditional Puerto Rican remedies, his own mother, television infomercials, marijuana, his fiscal problems with past-due back taxes, and, of course, sex. Marking his last unplanned curtain call in his career, "Qué OJOnes" ("What BIG EYEs!") was brought to the big screen as an posthumous homage to one of Luis Raúl's final wishes before his death.
Raul, a Puerto Rican born in New York, meets Maria, a young Puerto Rican woman visiting NY, one night. Struck by love at first sight, he travels to Puerto Rico in search of this beautiful girl.
Diego is a gay but closeted Hispanic chef living in East Los Angeles who works in the restaurant operated by his grandmother. Frustrated by the secretive lifestyle he shares with his similarly closeted lover, Pablo, Diego finds himself attracted to Wesley, one of the openly gay Caucasian men he feels are gentrifying his neighborhood. Their relationship pushes Diego to consider the possibility of a life he had never imagined.
Jason Gould satirizes coming out in Hollywood in Inside Out, starring Alexis Arquette and papa Elliot Gould. Lane Janger's Just One Time was a festival favorite recently expanded into a feature film that turns the tables on a groom-to-be and his fantasies of sex with two women. Bradley Rust Gray's Hitch follows two attractive young guys on a dizzying road trip that leads them toward sexual self-discovery. David Fournier's Majorettes in Space is a witty French spoof of post-modern sex, romance, relationships, the Pope and baton-twirling majorettes. And, Gregory Cooke's $30 is the bittersweet story of a closeted teen presented with a young prostitute on his 16th birthday.
A beautiful Puerto Rican girl and her family in Spanish harlem devise a novel plan to attract business to their restaurant, causing a wildly comic sequence of events ending in near disaster.
In the midst of the Mariel boat lift -- a hurried exodus of refugees from Cuba going to America -- an immigration clerk accidentally presumes that dissident Juan Raul Perez and Dorita Evita Perez are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela, whom he hasn't seen in decades.