A criminal confronts the police by firing at them with a machine gun from the first floor of a villa on the outskirts of Buenos Aires and occasionally shooting down a policeman. The gunman has time to reflect, to load his gun, to run from one window to the other. Whoever leads the police notices the futility of his efforts and suspends the fire.
This relentlessly realistic Argentine production was released in the U.S. as The Marked Man. The title character is a poverty-stricken janitor who suddenly wins an enormous sum in the National lottery. Spending money before he actually collects it, the janitor is appalled to discover that his wife has inadvertently sold the winning ticket to a door-to-door peddler. The ticket was hidden in the band of an old straw hat, which passes through several hands as the janitor frantically searches for the precious headgear. What might have been handled as a farce by another director is transformed into a stark, utterly credible urban tragedy by director Francis Laurie.
The love affair of an ex-convict with a showgirl, unleashes the jealousy of his older, wealthy and unbalanced wife. A murder plot, staged phoney suicide and other twists and turns follow.
A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.
A couple plans to poison a wealthy elderly to stay with his fortune. However, the plans of the villain and his accomplice stagger at the last minute.
Margarita, the nun of a cloistered convent in charge of handling the lathe, this is a rotating mechanism provided with a small window through which she delivered and received things from the outside without direct visual contact, she is seduced by a Don Juan and induced to escape with him .
After a storm, the captain of a ship lets it float aimlessly until he reaches an island paradise.