atau dikenal sebagai
Luis Ortega was born in Buenos Aires in 1980.
In 1999, at the age of nineteen, he directed his first feature film, Caja Negra, which received multiple international awards and launched him as one of the most promising and innovative filmmakers in Argentina.
Since then, he developed a filmography with a strong signature, becoming one of the most daring and attractive voices in the independent Latin American scene, including Monobloc, Dromómanos and Lulú.
In 2015, he wrote and directed Historia De Un Clan, a widely popular and critically acclaimed eleven-episode series.
In 2016, he also directed the first two episodes of the successful series El Marginal.
Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.
At night a traveling flash runs through the streets of Buenos Aires hell, illuminating even the most remote roads. It's easy to mistake it for an angel. Its light, volatile step numbs the city and condenses the glances. It takes refuge in subways and tunnels under the ground. It comes off time. It tempts the dead to come back. It is The Light. The comfort of the homeless.
Popular neighborhoods that are open-air prisons. Where beauty flirts with violence. The kingdom of the insubordinate children, veterans of the lead. A garden of amputated flowers, which with crutches on their backs, still grow and dance.
Five wanderers roam around Buenos Aires and it’s wild outskirts. God, schizophrenia and alcoholism is what gathers them in the search for salvation. A love triangle and the obsession over a little pig in the religiosity of the ghetto; a mental institution patient who finds an unstable emotional partner desperate for love; and the doctor of this story, an alcoholic, dangerous for himself and others, who heads without hesitation toward self destruction.
Julieta and Federico are parents of three boys, it is a high class family. He is a successful architect. They receive the visit of Tito, uncle of Federico, a gray man who has just left the prison. Tito wants to go to the sea and Federico proposes to go to a house that he himself built for some friends, but Federico stays in the city, working.
The godmother and Perla are the world to "the little girl," a world defined by the four walls of a studio apartment with one window looking nowhere. Only space and alter the monotony, the blood transfusion sessions to which must be submitted Pearl and almost anonymous sexual encounters of the baby.