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Originally from Avignon, he quickly discovered the theater thanks to his parents (his father was an engineer and his mother a professor of literature).
At the age of six, he accidentally met Agnès Varda, who cast him in the short film she was shooting in Avignon at the time.
The short film is called 7 rooms kitchen and bathroom.
After his baccalaureate, he left for Paris to follow theatrical studies at the Périmony course.
He then joined the National Conservatory of Dramatic Art, where he studied from 1997 to 2000, in the classes of Stuart Seide and Jacques Lassalle.
In 2003, he played in Le jour du destin and won a nomination for the Molières 2004 for male theatrical revelation.
In addition to the theatre, he can be seen in several French television series, most often for an episode, but he also held recurring roles, such as in the series Commissaire Valence, broadcast on TF1, with Bernard Tapie in the title role.
Loïc Corbery receiving the Swann d'Or at the 2014 Cabourg Film Festival.
He joined the Comédie-Française in 2005, where he was particularly noticed for his interpretations in Le Cid by Pierre Corneille, directed by Brigitte Jaques and The Taming of the Shrew by Shakespeare, directed by Oskaras Koršunovas.
He became a member in 2010.
The artistic direction of the tribute to Molière was entrusted to him in 2009.
Paris, summer 2020. Actors from “la Comédie-Française”, France’s most prestigious theater, rehearse Christophe Honoré’s new play, an adaptation of Marcel Proust’s “The Guermantes Way”. When the show is suddenly canceled, the drama group decides to go ahead with it anyway, in the name of art and for the joy of acting together.
Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.
While James More is held captive by terrorists in Somalia, thousands of miles away on the Greenland Sea, his lover Danny Flinders prepares to dive herself in a submersible into the deep bottom of the ocean, tormented by the memories of their brief encounter in France and her inability to know his whereabouts.
Cyrano has a prominent nose but also a gift with words by which he helps handsome Christian to conquer Roxane. Also in love with the girl he chooses not to reveal to her that every word of Christian comes out of his own heart. In cinema, this ROSTAND classic filmed live from the Comédie Française.
When Julie finally lands a job at a luxury shoemaker, her dreams of stability collapse as the owner threatens to close the factory. Together with an intrepid group of women, they decide to resist, bringing back to life a bold and elegant shoe model to save the renowned brand. But when Samy, a young truck driver as wily as charming, jumps in the middle of the fight, this is no longer the same song.
The Forest is both a vibrantly spontaneous and brutally funny family drama, and a glorious tribute to acting and theater - in other words, an Arnaud Desplechin film. With Michel Vuillermoz and Denis Podalydès as the nephew and his friend, Adeline D’Hermy as the niece, and Martine Chevallier in a stunning performance as the sublimely selfish aunt Raissa.
Clement, a young philosophy teacher, is sent to Arras for a year. He meets Jennifer, a pretty hair stylist, and the two freely share their hearts and bodies as they try to overcome the cultural and social divide between them.
Raised to believe in performance and in the idea that all abilities must be optimized, Emma is a young, methodical woman who appears determined and relatively sure of herself. But two consecutive failures (real or imagined) lead her to believe that she has a real problem: she is useless in bed. Because she is more fragile than she appears, Emma hence decides to become... the best lay in Paris! She then sets out on a formidable plan of action (theory, practical, validation of acquired knowledge), which soon provokes a series of misunderstandings and disasters within her immediate vicinity. For one thing, her method doesn't turn out to be really adapted to her field of investigation. And Emma has probably also forgotten a little detail: love doesn't obey any plan. In this absurd and nutty quest, Emma will learn to let go, to lose control, and, to finally win her freedom.
Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.
The victim of a serious accident, Camille finds himself in a strange, huge, rehabilitation centre run by Professor Helpos. He soon teams up with a group calling themselves "the wreckers" and who make their own rules, ignoring those of the medical establishment.
This Great War drama opens in the trenches during an artillery bombardment. Receiving bayonet wounds, young Simon (Guillaume Depardieu) drops out of the action, joining other injured soldiers at a Brittany hospital. One day he meets schoolteacher Marthe (Clotilde Courau), who lives in the household of the hospital's head doctor (Bernard Giraudeau). Soon a romance begins to develop. Cinematography by Kevin Jewison, son of director Norman Jewison.
An unusual visit to a large, empty apartment. But is it empty or not? Maybe a family has lived there or is going to live there. Maybe a young girl is going to escape from there. Maybe some of the old-timers who lived there never left. The walls themselves tell the stories of the time passing by.