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Stephen Lee doesn't want his nephew Wally Sanders to marry chorus girl Violet Dayne, because he believes all chorus girls to be ruthless gold diggers, always chasing after the men's money. Violet's friend Jerry La Mar decides to 'gold dig' Stephen, to show him what a nice and unselfish girl Violet is, but then she realizes that she's really in love with Stephen Lee....
When elderly Joseph Moreau and his young wife Therese offer refuge to starving young dramatist Paul Savary, gossips begin to spread rumors of a love affair between the wife and the writer. For the good of all concerned, Paul moves into separate quarters. One day Paul overhears the gossip again at a café and challenges the purveyor of the lie to a duel. Moreau, for his own satisfaction, takes Paul's place in combat and is mortally wounded. Moreau staggers to Paul's apartment where he discovers Therese, who has come to beg the writer to refuse to fight.
De Goat only barbers to earn enough to keep supplied with musical instruments and he certainly keeps a goodly stock of them. Between (also during) shaves he amuses himself by playing solos on the violin or whatever instrument happens to be near at hand. Even when he is running the "scythe" over the chin whiskers of an unfortunate victim, he cannot resist the temptation to play a one handed serenade to himself on the flute. Intent on his music, he allows the weapons of his trade to wander aimlessly over the countenances of his customers with tragic results. When a Chink finds that his queue is among the missing, a fond mother sees her Percy shorn of his curly locks, and Wild Bill from out Nevada way misses half his hirsute adornment, bedlam is cut loose and the barber shop is ransacked. De Goat manages to escape his pursuers by hiding in a lunatic asylum, but when the superintendent sees him, he extends a cordial invitation to sojourn for a while in a padded cell.
Noble born but dissolute M. Jean de Segni receives word from his lawyers that his profligate ways, including keeping mercenary actress Dorothea Jardeau, have led to his ruin which he accepts with a shrug of the shoulders. As word spreads Jean’s father-the Duke, who has managed to keep the boy’s mother in the dark about her son’s true nature, realizes she will soon know. Terminally ill and fearing Jean reducing them to penury, the father decides to take his beloved wife with him and kills her. Jean is at first suspected but the Duke saves him by confessing his guilt. Nevertheless, everyone, including his Dorothea, believes the Duke lied to save his son, and after his father's death Jean finds himself a social outcast. An argument leads to a duel where Jean realizes his folly has killed his parents, and he fires in the air, receiving a mortal wound from his adversary.
Enemy agents under the leadership of "Emanon" conspire with pacifists to keep the American defense appropriations down at a time when forces of the enemy are preparing to invade. The invasion comes, and New York, Washington, and other American cities are devastated.
A young girl is reared on a desert island by natives and led to believe that she is a goddess. One day an outsider comes to the island, and persuades her to accompany him to preach about the kindness and love she has experienced. She agrees, but she's soon confronted by the problems and travails of the "outside" world.
Ralph Brooks, although engaged to Julia Dean, meets and becomes infatuated with Rita Reynolds. She gains his sympathy by telling untrue stories of her husband's brutality. They plan to run away together but while Rita is taking a large sum of money from her husband's safe, he returns early from a business trip and a fight ensues which results in her husband's death.
This LOST film was Clara Kimball Young's first feature, and her last film for Vitagraph, where she had made all of her short films. It was a sensational success and launched her as the most popular star that year. Its Russian setting was drawn upon by Young for many more of her features. Two short clips of the film exists in Warner Brother's 1931 Vitaphone short "The Movie Album," and have been mounted on Internet Archive and Google Video. One scene shows the meeting of Helene's terrorist cell with an extra alleged to be Leon Trostky. The other clip appears to be when she and Lennox are visiting the Weletsky's. (cont. http://web.stanford.edu/~gdegroat/CKY/reviews/mow.htm)
Betty is away at college when her parents, Mr. & Mrs. Bunny, come to visit. Mr. Bunny goes for a stroll while Mrs. Bunny looks at Betty’s furnished room, which she finds unsatisfactory. Mr. Bunny meets boarding house owner Mrs. Sweet and goes to her home for a bit of harmless flirtation. Meanwhile Mrs. Bunny insists Betty move and by happenstance they head to Mrs. Sweet’s. Mr. Bunny tries to hide from them and many comic situations ensue.
John and Flora meet at a ball, but neither can do these modern dances, so they sit out… and run into each other later at a dance studio. Bunny exudes his usual Pickwickian charm. Miss Finch gets involved in a nice bit of physical comedy when her gawkiness makes the dance lesson less than successful.
Seeing Cutey play the part of a maid of all work at a college play, Alys Trevor seeks an introduction to him and they soon become good friends. She takes him with her to present him to her mother, whom she finds talking to a stranger, Lord Goodbluff. Mama does not seem very pleased to meet Cutey. Later Cutey calls at the Trevor house to see Alys and meets Goodbluff there, who soon quarrels with him. Mrs. Trevor, entering in the midst of the dispute, requests Cutey to leave the house and apologizes to Goodbluff for the young man's behavior. Then she sends a note to Cutey, telling him that her daughter is no longer free to receive his calls. By a strange occurrence, Cutey's suspicions of Goodbluff are aroused and he determines to watch him. Noticing an advertisement in the paper for a maid of all work, inserted by Mrs. Trevor, he obtains the necessary disguise and applies for the position, which he gets.