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Lois January was an American actress who performed small roles in several B-movies during the 1930s.
Lois also had a secondary part in the Wizard Of Oz, towards the end of the movie, holding a Siamese cat in her arms.
Toto jumps out of the basket of the hot air balloon that was supposed to take him, Dorothy and the Wizard away from the Land of Oz.
January's first credited role was in 1933, in the film UM-PA.
Her most famous role, however, is probably as the Emerald City manicurist in The Wizard of Oz who sings to Dorothy that "we can make a dimpled smile out of a frown".
Although the character was unnamed, many fans believe it to be an incarnation of novel character Jellia Jamb.
During the 1930s she played in numerous westerns as the heroine, usually opposite Johnny Mack Brown, Bob Steele, Tim McCoy and Bob Baker, among others.
In 1935 she starred opposite Reb Russell in Arizona Badman, and in 1936 she starred with Brown in Rogue of the Range, and alongside Tim McCoy in Border Caballero.
While under contract with Universal Pictures she continued to play heroine roles in westerns, and in 1937 she starred opposite Bob Baker in Courage of the West.
The reissuing of the 1935 exploitation film The Pace That Kills (under the title Cocaine Fiends) would eventually lend January even more exposure, however limited.
January's Broadway credits include High Kickers (1941) and Yokel Boy (1939).
By the mid-1940s, her starring roles had waned but she continued to act in non-starring parts.
In 1942 she was the "poster girl" for Chesterfield cigarettes.
From 1960 through 1987 she played numerous small roles on television, to include roles on My Three Sons and Marcus Welby, M.
D.
Her last acting role was in 1987, on the television movie Double Agent.
During the 1980s she attended several western film festivals.
Tom "Killer" Dane kills Jeff's friend, who then pursues him. Jeff and Dane are look-alike half brothers, which allows Dane to make a raid dressed like Jeff. Jeff is arrested, but before Dane's henchman can organize a lynch mob, Fuzzy breaks him out and Jeff heads after Dane again.
Jim Waters arrives at Ed Parks' ranch to find Parks' cattle herd mysteriously increased. Hamp Harvey has been losing cattle and he suspects Parks. But the culprit is Harvey's foreman Brent who gets his orders from the town's leading citizen Sig Barstell. Barstell wants Harvey's ranch and after trying to frame Harvey by killing Parks, Waters takes over and goes after both the killer and the rustlers.
Cowboy with a reputation as the fastest gun in Texas heads to Arizona to leave his past behind, but it keeps catching up to him.
Suave French actor Philippe Martin provokes a scandal when, in a darkened theater, he mistakes young Monique for his mistress, Yvonne, and tries to kiss her. Charged with assault, the quick-thinking Philippe claims it's French tradition to do as he did, and is let go. To his surprise, Philippe learns that Monique has paid his fine. As the tabloids exploit the situation, Monique dates Philippe, until a photo appears of him kissing Yvonne.
Rin-Tin-Tin brings the killer of his mistress to justice.
Band leader Jack Conrad is impressed by prison inmate Ray Ferrera on saxophone. Conrad hires Ray to join his band and tour upon his release. Ray hooks up with Jean, a dancer in the show, and the two become a successful dance act. However, when an ex-inmate buddy of Ray's robs the tour bus, Ray is suspected of wrongdoing by Jack and the others in the group. After a gang of thugs hijacks the tour bus, Ray tries to use his street smarts to redeem his reputation.
A doctor who has spent his career working on ways to revive the dead sees his chance to prove his theory by performing his procedures on a recently deceased dog.
Complications ensue when a young married couple pretend to be something they're not.
Jack Osterman is smitten with a woman on a park bench, and cannot stop saying the word "Umpa" for the rest of the film, which involves his treatment by a doctor and his singing and dancing temptress nurses. Somewhere between utterly silly and consummately brilliant with its fully rhyming dialogue, "Umpa" is the catchword for that enduring urge that makes people do ludicrous things with absolute determination.