Small town gal Wendy resorts to prostitution after moving to New York City. Wendy gets busted by corrupt vice cop Vince and winds up spending 90 days in jail. In the wake of finishing her sentence, Wendy decides to quit working the streets by owning and operating her own brothel instead.
Marvin Swift is a nebbishy schmuck who’s "a total failure at everything." Fired from his job at a brassiere factory, he then gets into a pointless argument with his sexy but ditzy fiancee who tells him to go to hell. Instead, he does the next best thing. He meets the devil in a boiler room. And the devil’s a she. A very sexy she named Lucibel sans the traditional horns and pointy tail because "that’s terribly passé, today its mod." Touched that Marvin is such a screw-up, she offers to help him but not, she says, because she wants his soul, but because she wants to make him happy. So she grants him a wish with no strings attached.
Monique is so anxious to become a movie star that she gets naked for a producer, watches other naked girls in the producer’s other naked movies, and finally ends up starring in a naked skinflick where she’s tied up by a fetish freak. All of which is dutifully chronicled by her obsessed roommate Rita.
Cruel, conniving Norma Sue returns to her backwoods hometown with her stud lover to wreak havoc on the local denizens. Her main target is her sexually repressed sister, who runs the local hotel. At the same time, jobless slacker Billy Joe commences an affair with a broke immigrant lady whose husband is overseas. Pressured by his cheating wife to earn some cash, he decides to pimp his new paramour. Norma Sue's scheming eventually involves all these characters in intense, often nasty, interlocking liaisons, betrayals, seductions and violations
This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.
Continuing his quest to rid the world of sex-crazed females, Richard ups the ante - and bodycount, devising an array of increasingly gruesome methods of dispatching his victims all while planning the ultimate revenge against his wife's lover, Steve.
Henpecked misogynist Richard Davis murders his shrewish wife and goes out to dispose of her corpse. However, things go awry for Richard after he's abducted by a pair of insane lesbians who take him to their house where they keep a grown woman called Baby in a crib.
The Master is a peeping tom who sends his minion to follow various women around with a video camera, the images being sent back to the Master's lair where he can enjoy it in solitary.