One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost?
When reporter Dan Miller is once again late to meet his girl friend, Helen Murdock, because he is working on a story, Helen breaks up with him. Later, in an effort to reconcile with her, Dan misses an appointment with the district attorney, and is fired when his editor learns that the district attorney was murdered in Dan's absence. The man suspected of the crime, Mitts Coster, is rumored to be traveling to Europe aboard an ocean liner. While Dan's friend, photographer Snapper McGillicuddy, fetches Helen to the boat, under the pretense that Dan is leaving town to forget her, Dan searches the ship for Mitts, whom he does not recognize. When Helen arrives, Dan feigns illness, and she admits her love for him. When Helen learns of Dan's ruse, however, she angrily hits him with a package that a passenger gave her when she boarded the ship. The package contains a passport for Dorothy Madden, who greatly resembles Helen, and $2,000 dollars.
Innocent Nancy Carroll falls in love with con man Edmund Lowe and the pair swindle their way across the country until they decide to settle down in a small town and give up their life of crime. He goes into business and all seems to be going well until some ex-partners he double crossed show up in town demanding the money he cheated them out of.
This series is fairly close in broad outline to the original idea of Roach's 'Our Gang' with a bunch of kids and their various pets. It includes a Pete the Pup lookalike, battling a bunch of crooks following a robbery who are looking for a hide out, around a rodeo venue.
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
Sally Lapidowitz is the daughter of an Orthodox Jewish father and an Irish Catholic mother and the girlfriend of motorcycle cop Patrick Sweeney. Sally finds herself attracted to the fancy Stuart Gold, a young Jewish boy who charms her father but raises Patrick's suspicions, which are soon justified.
In order to land an important client, Morgan is obliged to escort a beautiful redhead to a costume ball. Finding out about this, and suspecting that some hanky-panky is involved, Morgan's wife Angela dons a mask and a red wig and offers herself as the companion of her unwitting hubby. Angela's jealousy-motivated subterfuge works to everyone's advantage when she manages to cinch the deal for Morgan.
Joe Ryan, a veteran train engineer, is demoted to a flagman position after a disastrous crash-- one caused by his cowardly and opportunistic partner. Though Ryan's failing eyesight is named as the cause of the crash, he's undeterred as he designs an automatic braking invention.
Alice wants desperately to get out of practicing her piano so she can go have fun with her friends. She tricks her mother into thinking she's still playing by getting her dog to play for her, and then she and the gang hitch a ride to the local pond where they spend their time fishing. While there, she envisions what it would be like to go fishing at the North Pole.