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From Wikipedia, the free encyclopedia
Leigh Rollin Whipper (October 29, 1876 – July 26, 1975) was an American actor on the stage and in motion pictures.
He was the first African American to join the Actors' Equity Association, and one of the founders of the Negro Actors Guild of America.
He is best known for creating the role of Crooks in the original Broadway production of Of Mice and Men, which he reprised in the 1939 film version.
Educated at Howard University Law School, he left in 1895 and never practiced as a lawyer.
Without any dramatic training, he made his first Broadway appearance in Georgia Minstrels.
His first film role was in the 1920 silent film The Symbol of the Unconquered.
During the Second World War, Whipper was a member of the steering committee of Negro Division the Hollywood Victory Committee.
The swamp folk of the deep Okefenokee live a brutal primitive life untouched by modern times - they support themselves by hunting alligators and selling them to the outside world. Jeff returns home from college with an engineering degree and dreams of bringing modern medical care and education to the swamps. He is immediately confronted by his old boyhood rival, "Gator-Bait" Blair, who thinks things are just fine the way the are. "Gator" whips the ignorant locals into a frenzy of fear and resistance. When Jeff is unintimidated by their threats, Blair sets out to stop his plans once and for all - with a rifle.
After a rapid engagement, a dowdy daughter of a chemist weds an industrialist, knowing little of his family or past. He transforms her into an elegant society wife, but becomes enraged whenever she asks about Michael, his mysterious long-lost brother.
In Africa early in World War II, a British rubber plantation executive reminisces about his arrival in the Congo in 1910. He tells the story of a love-hate triangle involving Harry Witzel, an in-country station superintendent who'd seen it all, Langford, a new manager sent from England for a four-year stint, and Tondelayo, a siren of great beauty who desires silk and baubles. Witzel is gruff and seasoned, certain that Langford won't be able to cut it. Langford responds with determination and anger, attracted to Tondelayo because of her beauty, her wiles, and to get at Witzel. Manipulation, jealousy, revenge, and responsibility play out as alliances within the triangle shift.
A girl, Carol whom the audience is quickly informed "has been around," and her father arrive to take over the business management of an island in the Bahamas owned by Adrian Ainsworth, descendant of many ancestors who have handled it over the years to the satisfaction of its 250 native residents. He is married to a woman who stays away from the island because she is lonely when there. Adrian doesn't want Carol or her father there, and they don't want to be there. Romance can't be lurking far behind the beautiful sunset.
During World War II, a small plane somewhere over the Caribbean runs low on fuel and is blown off course by a storm. Guided by a faint radio signal, they crash-land on an island. The passenger, his manservant and the pilot take refuge in a mansion owned by a doctor. The quick-witted yet easily-frightened manservant soon becomes convinced the mansion is haunted by zombies and ghosts.
Stranded in Africa, Chuck and his pal Fearless have comic versions of jungle adventures, featuring two attractive con-women.
Post-Civil War romantic drama about defeated Southerners, starring Madeleine Carroll and Fred MacMurray.
Robin Hood of the Pecos is a 1941 American film starring Roy Rogers and directed by Joseph Kane. Following the Civil War, the South still faced many dangers not the least of which were the armies of carpetbaggers that descended on impoverished towns, intent on making a fast greenback at the expense of the local populace.
Eve Mason, a white-passing black woman, moves to a remote cottage she inherited from her late father. She makes the acquaintance of her neighbor, a dashing black settler named Hugh Van Allen, and quickly falls for him. Trouble brews as the local cadre of racist hucksters want the valuable land Van Allen lives on, and will do anything to take it from him.
Abandoned by her fiancé, an educated black woman with a traumatizing past dedicates herself to helping a near bankrupt school for impoverished black children.