atau dikenal sebagai
Sharda, a nurse and single mother, raises her daughter Swati as an independent, articulate young woman. Swati is a strong advocate of women's rights in a society where there is significant male domination. Swati deals with eve teasers firmly, sometimes with considerable force. When a married friend of hers gets raped in the presence of her husband, she acts as a counsellor and helps them adjust to the reality of a society that blames the victim and not the rapists. Swati takes on a huge transformation when she meets a political activist and falls in love with him. She embarks on a project of matchmaking for her mother and engineers a wedding with a widower who has a grown-up daughter.
A love story between a Tamil man a North Indian woman, who are neighbours in Goa. They come from totally different backgrounds and can hardly speak the other's language. Their parents despise each other and they have regular skirmishes. When they admit their love, there is chaos in their homes, and their parents reject the idea.
Ragu is a blind violinist who leads an independent life. When Nancy learns about him, she decides to cover his inspiring story. Soon, love blossoms between the two, egged on by her grandfather.
A woman's marriage is filled with upheaval and conflict, but she makes many compromises for the sake of her struggling family. How will she react to her husband's ultimatum, that she must choose him and his family over her own, otherwise he would take their daughter and leave forever?
When the rulers of Malwa, Pushpapuri and Paanchal find out that their respective kingdoms are under attack by Jung forces, they consolidate their wealth, hide it underground, surrounded by 3 statutes of Hindu Deities, hide it's location in 3 different necklaces, which are then handed over from generation to generation of their respective queens. 200 years later Shamsher Jung attacks and takes over the kingdom of Malwa, forcing Maharaj Dharampal Singh to flee and be eventually be separated from his wife, and two sons, Jay and Vejay. Years later Dharampal is still in hiding away from his wife, Jay has been brought by a bandit named Bhavani Singh, and is now known and feared as Sher Singh, while Vejay is the Senapati of none other than Malwa's Maharaj, Diler Jung, the son of Shamsher. Everyone's path will collide, albeit unknowingly, when they confront each other and race to be the first to take possession of the hidden wealth.
After his business partner embezzles money and leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar and Sudhakar, & a dumb daughter, Gauri, virtually on the verge of destitution, When Prabhakar grows up, he marries Pooja and moves out. Years pass by, Sudhakar has grown up, has managed to complete schooling, gets a job out of town and re-locates.
Thakur Suraj Singh lives a wealthy lifestyle with his wife; three sons - Kishore, his wife Laxmi & two children Pappu and Laali; Vijaykamal, & Mohan; and an unmarried daughter, Radha. Kishore looks after the family business, while Vijaykamal is a renowned poet, and Mohan is studying law in the city. Vijaykamal is in love with lovely Sapna, but she is forced to marry Bihari, and kills herself on the night of the marriage. Vijaykamal witnesses her death and loses his mind. The family decide to keep him under lock and key on the terrace of their house. Unable to admit Vijaykamal to a mental asylum, Suraj brings home a young courtesan, Chand, who he hopes will cure Vijaykamal, and she does succeed considerably, but is traumatized, sexually assaulted by Vijaykamal, and abused by the rest of the family.
After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!
Rao and Mary, unemployed college graduates from Madras, act as if they are a married couple to get jobs as schoolteachers in the small village of Appapuram. Their story unfolds into an extremely hilarious comedy as they try to cover up that Mary is a christian. They are assisted in their drama by Devaiah, a friend and ex-beggar, in fooling the family they work for.
Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.