Black Curtain 1966

Kawaii akujo: Konomama koroshite 1965

Pinku from 1965.

The Abalone Gals 1965

South of Tokyo is a small island until quite recently relatively unchanged since feudal times. Now, however, it is being made into a tourist's playland and the girls, who had been abalone divers, now become geisha, and the old ways of the island are all topsy-turvy. One of the girls, more sensitive than the rest, sees that here, too, people are motivated only by greed and decides to leave and try to find a better life elsewhere.

Tale of Ninja Duty 1965

Mumyo Tsunataro killed his betrayed fiance Orie and He flees to Utsunomiya. On his way he happens to saves Chisaka Hyobu's daughter Oyu (She is exactly like Orie) be attacked by ninja. Thus he stays Chisaka's residence in Yonezawa. Chisaka was just trying to stop Forty-seven ronin's revenge against Kira Kozukenosuke by female ninja's sexual entrapment. Chisaka asks Tsunataro to lead female ninja. Tsunataro accepts the request on condition of marriage to Oyu.

Kanashimi wa itsumo haha ni 1962

The last film produced by Shintoho.

Ōwarai Jiro chō ikka: Sanshita nitei kenjū 1962

Comedy movie

The Pacific War and Himeyuri Corps 1962

The last fight put up by remaining forces and a special volunteer nursing corps in 1944-5.

Invitation to the Enchanted Town 1961

Live-action adaptation of Ko Kojima's manga "Sennin buraku".

Five Violent Girls 1960

Japanese comedy film.

Ghost of the Pearl Divers 1960

Yellow Line 1960

The murder of the chief official of Kobe city's Customs triggers an investigation of a prostitution ring called the 'Yellow Line' that sells Japanese women. A hired assassin is betrayed by his organization, and kidnaps a woman who happens to be the girlfriend of a newspaper reporter.

Black Line 1960

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.