Welcome in Vienna 1986

Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.

Drei Schwestern 1977

The Standard 1977

During the final days of the First World War, Officer Menis does his duty in defending the battle flag of the defeated Austro-Hungarian empire, while his fellow troops, a motley gang recruited from several different countries not loyal to the royal family, simply try to survive by any means possible.

Bomber & Paganini 1976

The story follows two simple as well as incorrigible petty crooks, who always fail spectacularly in search of the big coup.

Die Halde 1975

Weights and Measures 1973

Tells of the tribulations of a middle-aged official of the Austro-Hungarian Bureau of Weights and Measures in fighting the local shopkeepers and traders whose weights are frequently light.

Das Wort 1970

Arthur Schnitzler's key piece describes the liaisons of his artist colleagues from the Cafe Central, Vienna. Behind the character "Treuenhof" is Peter Alterberg recognized, "Winkler" = Arthur Schnitzler, "Flatterer" = Frida Uhl, "Rapp" = Stefan Großmann, "Willi" = Hans Lang, "Van Zack" = Adolf Loos, and "Lisa" = Lina Loos.

Traumnovelle 1969

After a frank confession by his wife, a doctor is called to see a dying patient. The cause of the night brings him to meet an old friend, a pianist, who tells him of a mysterious ball where he is due to perform. Based on the book "Traumnovelle" ("Rhapsody: A Dream Novel") by Arthur Schnitzler, which was the inspiration for the film Eyes Wide Shut (1999).