There is a writer who in the late 1970s managed to publish a poem in the monthly "Nowy Wyraz". It was enough to become a self-confessed writer whose name began to appear in the state media. The writer takes full advantage of his privileges - he flirts with power, sympathizes with the opposition, and collapses his studies at the same time. He is saved from going to the army by an exalted essayist whose sister is the head of the psychiatric hospital in Tworki. In a psychiatric institution, a writer meets a schizophrenic who writes a novel. After his suicide, the protagonist takes over the draft, which he publishes outside of censorship under his name, thanks to which he gains fame, fame and money. August '80 breaks out....
A zany and ribald farce about a machismo-fueled, philandering president, who strongly detests homosexuals and any other threats to his masculinity. His wife spends her days in utter misery, bemoaning her rapidly advancing age and counting her husband's lovers. One evening, when Mr. President beds his sexy female assistant, it wreaks a level of change that the man never could have foreseen.
A couple of friends, Max and Leo spend some time in Sicily, the island that is associated with mafia. Strange events on one wedding of a mafioso's daughter near the city of Trapani, bring them back to Warsaw. Yet, the criminal leaders, particularly Don Antonio Gambini, are also in Poland where they have a job to do. Unintentionally, Max and Leo are brought into a plot.
Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to 'volunteer' for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero's welcome with all the sex, booze, and violence that any one man can stomach. But as his new caretakers push him towards even more heinous and deplorable acts, Scope finds that his freedom comes with a high price; his own violent demise, broadcast live for the viewing pleasure of Australia 458's inhabitants.
Two old friends meet at a mountain shelter and recall their university years. Midroń and Świdrycki are mature, intelligent men, experiencing a crisis of faith in the meaning of life, in their abilities, as well as fear of death. The next day, their wives join them. Although they have not had the opportunity to get to know each other so far, they become friends very quickly.
Tadeusz Krzakoski, the director of a failing state-owned company, is married with problems. His mistress, the daughter of a Communist party bigwig, says she's pregnant and Tadeusz knows he'll have to marry her to save his reputation and his job. But divorce is never simple and Bareja's screwball comedies are never boring.
The main character is a bookkeeper, 40, who lives a quiet, uninteresting life with her husband and son of school age. She realizes that soon she won't be needed much at home as the boy grows up and the relationship with her husband crumbles. It's only when an embezzlement is discovered at the office and she stands up to her management, that she realizes life has more to offer. She meets a well-off former classmate, married to an American. Then she meets Jacek and starts contemplating possibilities of a new start. She discovers love for the first time, but turns to old ways rather than to break loose.
In a bucolic Polish hamlet, the tense relationship between a father and son reaches a boiling point when the men lose their hearts to the same woman and vie for her affections. Based on Wladyslaw Reymont's Nobel Prize-winning book and helmed by Jan Rybkowski, this theatrical release (starring Krzystof Chamiec, Wladyslaw Hancza and Emilia Krakowska) was culled from a 13-episode miniseries that aired on Polish television in 1972.
A peasant girl is abandoned by her fiancé after she has talked her father into giving her his land as a dowry.