Two different worlds, art, and cuisine collide in a tense and mysterious thriller.
The expectations of Elias are high. He is not only an excellent student, but also the son of the richest farmer in the Zillertal. Soon he will take over the farm. But the more desperately he tries to fulfill his intended role, the more he feels that he really wants to live a completely different life.
Tyrol, 1932: The world economic crisis is at its peak, radical political movements emerge. In a small Austrian community, the engine driver Michael Unterguggenberger accepts the mayor's office against better knowledge. But how is he supposed to save Wörgl? The power of despair and the support of his wife Rosa form the breeding ground for a daring experiment: Unterguggenberger wants to print his own money without further ado - so-called work confirmation notes. For this he not only has to convince the community of his city, but above all to rebel against the mighty banking.
Willibald Adrian Metzger restores old furniture, the beauty of which he admires with a good glass of red wine. The amiable loner visits his customers by bicycle because he does not have a driver's license. Usually he only pays attention to old cupboards and chests of drawers, but this time something else piques his interest: a beautiful woman bathing in a lonely mountain lake. The sight promptly knocks him out of the saddle - especially since it is his unfulfilled childhood love Danjela Djurkovic. She doesn't seem to recognize him anymore, because she is only interested in the macabre find at the place where they meet again: a severed finger that is stolen by a bird of prey in the next instant. Is that a dream Willibald and Danjela have a common goal, the Hotel "Sonnenhof" - from whose pool the corpse of a guest has just been fished. The police assume an accident. But before Willibald knows it, the curious Danjela has taken a farewell letter and the dead man's cell phone.
Die Heldin in „Die Hebamme – Auf Leben und Tod“ ist eine Reisende zwischen den Welten und den Zeiten. Zwischen den Autoritäten anno 1813, der Kirche und der Wissenschaft, bleibt Rosa Koelbl eine Fremde. Die Zeit ist noch nicht reif für die Werte, die diese Frau verkörpert. (Quelle: http://www.tittelbach.tv/programm/fernsehfilm/artikel-1422.html)