atau dikenal sebagai
Overworked New York architect Daphne Bello arrives in the Rhodope Mountains to inherit the abandoned house of her grandmother, a woman she never knew, who recently passed away at the age of 102. As she searches for the truth about her long-deceased Bulgarian father, Daphne clashes with her eccentric local cousin Orlin, who is eager to rid her of the supposedly worthless property—while keeping secret the unique mineral spring flowing beneath it. Unraveling the dramatic history of her father’s lineage, still alive in the memories of the village elders, Daphne discovers an unexpected opportunity to rediscover herself.
Reda, summoned to accompany his father on a pilgrimage to Mecca, complies reluctantly - as he preparing for his baccalaureat and, even more important, has a secret love relationship. The trip across Europe in a broken-down car is also the departure of his father: upon arrival in Mecca, both Reda and his father are not the characters they were at the start of the movie. Avoiding the hackneyed theme of the return to the homeland, the film uses the departure to renew a connection between two generation.
A new teacher - Marina - arrives in a small Pomak village in the late 1960s. She is a woman trying to live and think independently. Marina finds herself in a world unknown to her, at once pure and immaculate, but with the signs of the deformation of natural life that is typical of the whole country. After meeting the Doctor, Bai Mnogoznai, Mariana, the mayor, the internationalist Yosko, she discovers that each resists authority in their own way. And when the government starts changing the non-Bulgarian names of the Pomak villagers, the heroine realizes she is in a prison - with high mountains, forests, rivers - a prison of tragic beauty.
This is a sensitive film about human solidarity filled with humor and poetry; a bedridden man regales a child with a story about pirates while asking him to fetch some "pills".