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She has positive energy that allows her to smile her way out of any troubles in the world.
She made her name as an actress starring as a daughter of an womanizing editor in Jealousy ls My Middle Name.
Rather than being a shining star, KIM has developed her acting career by winning awards for her roles in independent movies.
She broadened her acting spectrum by portraying young Jung-hye in This Charming Girl, a razor-wielding high school girl in The City of Violence, a young girl named Sodan in Midnight Ballad for Ghost Theater, whose fresh smile brightened up gloomy ghosts in a run-down theater.
KIM showed off her acting potential in Breathless directed by YANG Ik-june.
The movie has received Rotterdam Tiger Award, the best film awards, best actor and actress awards from international film festivals.
She portrayed a girl who warmed up to a creepy violent thug with deep inner suffering.
She played a lesbian girl Ashamed selected to the Panorama section in Berlin Film Festival 2011.
She starred as a girl who met a new world during her travel with a Japanese woman in Magic & Loss directed by a Malaysian director LIM Kahwai.
KIM next appeared in the indies The Sunshine Boys and the well-regarded Pluto, which both debuted at the Busan International Film Festival in 2012.
KIM returned to Japan for a trio of films in 2013/14, A Pale Woman, It’s a Beautiful Day and A Record of Sweet Murder.
In 2014, KIM also appeared in a supporting role in the period action film Kundo: Age of the Rampant and was also the lead in the indie film The Liar, which debuted at the Busan International Film Festival.
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.
A murderer in the middle of a killing spree enlists a reporter to interview him as he prepares to finish sacrificing his victims to his god.
Korean international student A-Joong (Kim Kkobbi) takes part in a camp at a country village, located in the suburbs of Los Angeles. A-Joong isn't happy with the Japanese international students who seem to be addicted to alcohol, drugs or sex. At that time, some brothers, who make a living through murders and burglary, target the cottage where the international students stay.
The Korean Academy of Film Arts has produced an animation for 3 consecutive years through a collaborative project. Considering the severe reality of Korean animation in that it lacks an industrial infrastructure, "The House" demonstrates the possibilities of Korean animation and the efficiency of collective production. While comparing apartments in the downtown core to the shabby environment of a marginalized district, "The House" portrays the collapse of the spirits dwelling at the house. As such the adventure of Ga-young and the spirits in the house becomes a criticism of modern society: enlightenment via animation. Although this animation may not have the most delicate or original style, the 5 animators that worked on this film unleashed their imaginations, ultimately showcasing the power of a collective process and a pleasure of the collective imagination.
Arts professor Jung Ji Woo is searching for a nude model for a video clip that will be played at her exhibition. When Hee-jin, one of her students, recommends Yoon Ji Woo for the job, the three woman head to the beach to shoot the video. As they spend time together, Yoon Ji Woo begins to share pieces of her past relationship with Kang Ji Woo. The film weaves the pasts and presents of the three Ji Woos and focuses on their intersecting relationship.
Seo-hee, Nam-hee and Lan. These three girls happen to read their tarot cards. Tarot cards tell them once-in-a-life-time opportunities will be coming to each of them simply by holding tarot cards and chanting magic spells. And the magic spells are nothing but their own names! Once their names are said, very special events begin to unfold.
Sang-hoon is a lowlife gangster, a debt collector exercising thuggish ways to collect his money. The recipient of nothing but anger since his childhood, he expresses himself through violence. When he finally encounters someone who can stand up to him, feisty school-girl Yoon-hee they become unlikely friends.
One rainy night, Sodan's grandmother disappears, only telling her she's going to see a movie. In an effort to track her down Sodan gets a job as a box office attendant at the local theater. But there's more to this run down cinema than meets the eye.
Tae-su, a detective fighting organized crime, returns to his hometown for his high school friend Wang-jae's funeral. There, he meets his old friends Pil-ho, Dong-hwan and Seok-hwan and they reminisce. Suspecting something fishy about Wang-jae's death, Tae-su and Seok-hwan start investigating it, each in his own way. Their investigations lead to a land development project that Pil-ho is directing.
Thirty year-old teacher In-young falls in love with her own student, Suk. What attracted her to the boy was the fact that he resembled her first love in every way, and even shared the same name. But with the sudden return of her long-lost love, and the appearance of a cute high school girl who confesses her love towards the boy Suk, In-young finds herself lost among the two first loves.
Quiet, intelligent, solemn and recently dumped by his girlfriend, graduate student Lee Weon-san takes a job at a literary magazine, ostensibly to supplement his income, but really to get close to the editor - the reason he’s now single. The editor, unaware of who Lee is, takes a shine to him and makes him his personal assistant.