atau dikenal sebagai
Born in 1975, Busan.
She studied french literature in Univ.
and completed an master’s degree in film theory at University Paris-1.
She has worked as a producer of about 10 independent films from 2008 to 2015.
Her short films have been invited to numerous film festivals.
Man-ok, a film director who arrived in Mokpo in 2022 after passing through Hong Kong in 1986, met with Yeo-myoung again and learned the true meaning of making a movie
With the death of her long-time director, Chan-sil, a film producer, is now unemployed. While working as a cleaning lady at an actress' house, she meets a young man. Attracted to him, Chan-sil realises old anxieties are about to emerge: her already gone-youth, messed-up love life, and broken career.
Soon-shim, a spinster from an unknown planet, comes to the Earth to find her husband. However, no man is in sight. Soon-shim encounters Dal-rae, who was collecting wild greens on a mountain. One day, they save a deer from a hunter, and it wants to repay them by making their wish come true. This is an allegorical love story that comically depicts the journey of seeking true love and happiness.
Chun-su arrives in Suwon one day earlier than scheduled. He has a special lecture to give the next day. Chun-su decides to visit a palace and meets Hee-jung there. Hee-jung is a painter and she lets Chun-su see her workroom with her paintings. In the evening, they go out eat and drink together. There, Chun-su reveals something unexpected to Hee-jung.
Kwon, a language school instructor, stops by her old workplace and receives a thick envelope addressed to her. A Japanese instructor named Mori had proposed to her two years ago. She turned him down. Mori had immediately gone back to Japan, but now was back in Korea looking for her. The envelope enclosed letters he had written to her during his search through Seoul. After Kwon finishes the first letter in the lobby, she grows faint coming down the staircase and drops the letters. She gathers them off the floor and sees there are no dates on the letters. She now has no way of knowing the order in which they were written.
Sunhi, a film major graduate, visits her school to ask her Professor Choi for a recommendation letter to study in U.S. Knowing the professor favors her, she expects a good recommendation from him. Out from her shell after a long time, Sunhi also ends up meeting two men from her past: Munsu, her ex-boy friend, and Jaehak, a director who graduated from the same film school. Through the encounters between Sunhi and the three men, they give each other an 'advice on life' with good intentions. The three men who all have strong interests in her are led to guess and define her, unable to tell how she really feels inside. Strangely, the mentioned advices and traits of her are similar and seem to pass from one person to the next. The words of 'advice on life' seem doubtable and slip away as the three men's thoughts on Sunhi become more and more irrelevant.
Haewon, a college student, wants to end her secret affair with her professor, Seongjun. Feeling depressed after bidding farewell to her mother who is set to immigrate to Canada the next day, Haewon seeks out Seongjun again after a long time. That day, they run into her classmates at a restaurant and their relationship gets revealed. Haewon gets more agitated and Seongjun makes an extreme suggestion to run away together… Haewon dreams often. Her dreams will be compared to her waking life, but none can be denied as being a part of her life.
A young woman and her mother run away to the seaside town of Mohang to escape their mounting debt. The young woman begins writing a script for a short film in order to calm her nerves: There are three women named Anne, and each woman consecutively visits the seaside town of Mohang. A young woman tends to the small hotel by the Mohang foreshore owned by her parents. A certain lifeguard can be seen restlessly wandering up and down the beach that lies nearby. Each Anne stays at this small hotel, receives some assistance from the owner's daughter, and ventures onto the beach where they meet the lifeguard.
Over drinks, two friends agree to swap fond memories of their recent trips to the same seaside town. As the stories unfold in flashback, it becomes evident their accounts take place at the same time and with the same people.
Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi