atau dikenal sebagai
Khavn, originally named Khavn de la Cruz, is a very outspoken, experimental filmmaker.
He has directed over 100 films, making him one of the most productive filmmakers in the Philippines, and far beyond.
He also heads up Kamias Overground, an independent publishing company, and works as a composer, songwriter, pianist and writer.
Since 2002, he has been director of the .
MOV International Film, Music & Literature Festival.
As a jury member, he has been present at multiple festivals, including Berlinale and the Leipzig Film Festival.
“Double, double, toil and trouble,” indeed! Shakespeare’s punchiest tragedy gets a makeover in a way that only the prodigious Filipino multi-hyphenate Khavn De La Cruz could deliver. Unfolding in the Municipality of Marcos, Ilocos Norte and Khavn’s own Burroughsian Interzone of Mondomanila – also the title of the director’s crazed horror-comedy-crime drama, which premiered at IFFR 2012 – this mash-up of styles, genres, moods and atmospheres features a cast of over 100 performers and defies any easy description, even with so familiar a text. But as Khavn says of his source material, "Usually, word is king. Here, text is just one of the many cogs. It’s a column, a roof shingle, an ornament."
Even after burial Orphea wants to embrace her beloved Eurydike, deceased from food poisoning on January 22nd. She passionately descends into the apocalyptic underworld in a quest of nine extraordinary songs, but maybe the wandering Eurydike no longer needs any love?
Somewhere in Manila, a crime boss rules with an iron fist. To his most loyal henchman he gives the task of guarding his woman. Before long, she falls in love with the henchman, and the star-crossed lovers decide to leave town. Fighting ensues. It is while on the run that they finally get to know each other for the first time.
The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.
A post-silent film on the travails and camaraderie of King Black, King Red, King Blue, King Yellow, King Green, King Purple, & King Orange, the seven rainbow [bahag-hari] kings [hari] of ethnic g-string [bahag] descent. Bouncing in their kombi van, from nature’s forest to the city’s jungle, the Bahag Kings descend from being noble rulers to village idiots as they search high & low for the missing “Wala” [Nothing]. And see how they handled a true-to-life police arrest.
A black comedy film, which focuses on two film workers, Raffy, the clapper, and Dido, a utility boy. Both share the same dream: to direct their own films someday. Their lives as mere "small production people" took a different turn when, together with the people in the unit van they were riding,had an encounter with armed men. Their co-workers were killed, and the two of them were forced to drive the unit van out of fear until it ran out of gas. The van contains equipment for movie production like cameras, lights and film stocks. They ended up in a secluded barrio not yet reached by modern technology, and therefore, the townsfolk knew nothing of the movie industry.