Khalid Abdalla (born 1980) is a British-Egyptian actor.
He came to international prominence after starring in the 2006 Academy Award-nominated and BAFTA-winning film, United 93.
Written and directed by Paul Greengrass, it chronicles events aboard United Airlines Flight 93, which was hijacked as part of the September 11 attacks.
Abdalla played Ziad Jarrah, the pilot and leader of the four hijackers on board the flight.
He starred as Amir in the film of The Kite Runner and acted with Matt Damon in Green Zone, his second film with director Paul Greengrass
Abdalla is on the board of the National Student Drama Festival.
In 2011, he became one of the founding members of the Mosireen ("We Insist") Collective in Cairo: a group of revolutionary filmmakers and activists dedicated to supporting citizen media across Egypt in the wake of Hosni Mubarak's fall.
Three months after it began, Mosireen became the most watched non-profit YouTube channel in Egypt of all time, and in the whole world in January 2012.
Abdalla was educated at King's College School, an independent school for boys in Wimbledon in south-west London and his classmates included actor Ben Barnes and comedian Tom Basden.
He became interested in acting after becoming involved in his school's thriving drama scene.
In 1998, he directed a production of Someone Who'll Watch Over Me by Frank McGuinness, which ended up having a successful run at the Edinburgh Festival and earned five stars in The Scotsman newspaper, making him the youngest director to receive this accolade.
The story follows a group of birds on a journey where they try to find a better life for themselves and the ones they love.
An otherworldly journey through a Europe in decline - a collection of darkly humorous, fantasy tales about ill-fated characters and doomed fortune.
Why It's Kicking Off Everywhere is about different kinds of popular protest. Written and performed by Paul Mason, former economics editor of Channel 4 News and BBC's Newsnight, the play is a personal account of how we got from the optimism of the Arab Spring and the Occupy Movement to the election of Donald Trump. Why It's Kicking Off Everywhere is directed by David Lan and performed by Paul Mason, Khalid Abdalla, Sirine Saba and Lara Sawalha. It is directed for TV by Tim van Someren and produced by the Young Vic in partnership with Totally Theatre Productions.
Through a technology that unlocks the generic memories of his ancestor in 15th century Spain, Callum Lynch discovers he is a descendant of an ancient line of Assassins and amasses lethal skills to take on the oppressive Templar Order.
In the fading grandeur of downtown Cairo, Khalid, a 35-year-old filmmaker is struggling to make a film that captures the pulse of his city at a moment when all around him dreams as much as buildings are disintegrating. With the help of his friends who send him footage from their lives in Beirut, Baghdad and Berlin, he finds the strength to keep going through the difficulty and beauty of living IN THE LAST DAYS OF THE CITY.
A young Oxford academic and his attorney girlfriend holiday in Morocco. They bump into a Russian millionaire who owns a peninsula and a diamond watch. He wants a game of tennis. What else he wants propels the lovers on a tortuous journey to the City of London and its unholy alliance with Britain's intelligence establishment, to Paris and the Alps.
Ayan, a pharmaceutical salesman in Pakistan, takes on the multinational health care corporation he works for after he realizes they knowingly marketed a baby formula that's responsible for the death of hundreds of babies everyday.
The Square looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarak’s fall. The life-and-death struggle between the people and the power of the state is still playing out.
In the wake of the Egyptian revolution, four women speak of their fight for the future and what it means to be a woman in Egypt.
During the U.S.-led occupation of Baghdad in 2003, Chief Warrant Officer Roy Miller and his team of Army inspectors are dispatched to find weapons of mass destruction believed to be stockpiled in the Iraqi desert. Rocketing from one booby-trapped and treacherous site to the next, the men search for deadly chemical agents but stumble instead upon an elaborate cover-up that threatens to invert the purpose of their mission.