Airline captain saves passengers from a brutal murderer on a plane during four hours of terror.
A tragic drama - a dismembered torso of a woman rises up on the banks of the Arakawa River. The body is only the torso. Her legs were discovered on the opposite bank. The only clue, a man was trying to throw something in from a car with a license plate number three days ago at Shin-Arakawa Ohashi Bridge...
Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.
To fulfill a friend’s dying wish, a young sailor Kenji takes on the task of delivering an heirloom to his friend’s daughter, Harumi, who has been adopted by another family. When he arrives, Kenji soon discovers that Harumi and her adopted family are the targets of an evil gang boss. In an attempt to help them, he decides to take matters into his own hands.
The story is a dramatization of the Japanese folklore legend of Momotaro, the Peach Boy, who with his trusted companions of dog, monkey and pheasant fought against evil in olden times.
A taxi robbery and murder occurred in Fukagawa late at night. Detectives Nagata and Miyagawa of the Metropolitan Police Department's First Investigation Division, who suspect the perpetrator as a habitual offender, flew to Yanagibashi using the remains as clues, and suspect a forester, but before this case was closed, a new incident using the same method occurred in Shinbashi, and this time the driver's corpse was not found.
Yuji Makita (Wakahara) came to a hot spring port town as a singer who plays the guitar. Thirteen years ago, Sanae Shimura (Miyake) was in love with him, and now Sanae works at a bar in Tokyo to support her daughter Emiko (Misorah) and elderly father Daiseki (Ryuji Kita). While waiting for her mother to return, Emiko often goes to the dock and sings a song. Yuji finds out that Emiko is his own daughter, because the song she sings was once written by Yuji himself and was known only to Sanae...