In a small country town, a trio of unlikely friends – Percy Boy, Keithy Cobb and Daisy Hawkins – band together to take the local school sports day title from a group of grade five bullies. But as Percy Boy trains with the help of his mates, he then discovers his supernatural ability to see lost souls – a gift passed down from his grandfather. Percy Boy must overcome his fears, prove his resilience and become a force to be reckoned with.
“Genocide in the Wildflower State” is a documentary about a violent, state-run system of eugenics, racial absorption, and social assimilation in twentieth century, Western Australia.
When a suspicious death remains unsolved, three boys suspect a reclusive Indigenous man named Bobby (Kelton Pell) and relentlessly harass him until one of the trio breaks the toxic cycle to make amends.
Documentary film on the plight of Western Australia's forests and their real value in drawing down and storing carbon.
Set over three summers at The Westival, a fictional West Australian rural folk festival redoubtable local radio personality ‘Queenie' describes as "Australia in a tent". Two young musicians fall in love against a wider collection of tales dealing with a microcosm of contemporary discussion points, including Indigenous, immigration and refugee issues.
Lolly has always searched for her father who abandoned her and her sister DeDe, believing that finding him will right all wrongs. Her quest leads her into an adult world, which it seems, is no place for a child. The answers Lolly seeks are secreted in the unspoken past. As the doors close on her efforts, Lolly is faced with the harshest of realities. Nobody’s Child is a coming of age story about a young girl searching for her identity.
TJ is a mad bastard, and his estranged 13‐year‐old son Bullet is on the fast track to becoming one, too. After being turned away from his mother’s house, TJ sets off across the country to the Kimberly region of northwestern Australia to make things right with his son. Grandpa Tex has lived a tough life, and now, as a local cop in the outback town of Five Rivers, he wants to change things for the men in his community. Cutting between three generations, Mad Bastards is a raw look at the journey to becoming a man and the personal transformation one must make. Developed with local Aboriginal communities and fueled by a local cast, Mad Bastards draws from the rich tradition of storytelling inherent in Indigenous life. Using music from legendary Broome musicians the Pigram Brothers, writer/director Brendan Fletcher poetically fuses the harsh realities of violence, healing, and family.
City based Eddie sets off to reconnect with his blackfella roots by taking a sacred stone back to his hometown. But when wild-boy Charlie forces himself along for the ride, Eddie's spiritual journey goes off track and becomes a riotous trip through outback Australia as the boys are forced to contend with a self-obsessed Italian rock-god, a cross dressing cousin, and a demonic dog!
An alcoholic homeless man is framed for a murder of an Internal Affairs detective committed by fellow detectives who she was investigating. With the help of the mother of a teenage runaway he helped, the homeless man tries to prove his innocence.
Young Aboriginal Doug has done his time for petty theft, but quickly drifts back under the bad influence of ‘Pretty Boy’ Floyd. Doug knows where he’s heading – he’s seen it all before, in the hard life of his father. Returning to his traditional country and the love of girlfriend Polly is the way out. But Floyd’s mateship is hard to shake.