A comedic portrait of an unhappy marriage between an unemployed screenwriter and his wife who's supported him for 10 years, based on the writer/director's own autobiography.
After the death of previous Boss, a gang war lasts for more than four years.
Elite college graduates commit perfect financial crimes though loopholes in the law during the 1950s.
Japan, 1946, just after the end of World War II. As the US occupation army patrols the dilapidated streets of Tokyo, a desperate and ambitious group of war veterans and gamblers struggle to take control of the Ginza district's underworld with the help of a deranged soldier.
Violent Gang Re-Arms is a rousing tale of friction in yakuza and labor interactions with Koji Tsurata as a yakuza supervising a dockworker's union. He finds himself between a rock and a hard place, at odds with both the dockworkers' leader (Tomisaburo Wakayama) and sadistic, unprincipled bosses (Fumio Watanabe and Tetsuro Tamba).
After the war, Kijima (Bunta Sugawara) returns to Tokyo where he meets Ôba (Noboru Andô), an Ex-Kamikaze pilot, and the two ruffians gather hooligans to join their group. In Ginza, the Togawa gang have taken over Sakurada's territory. After several fights Kijima and Ôba gain control of the territory by chasing out the notorious Togawa Group in the name of Sakurada. But Kijima is arrested for assaulting an American soldier. A few years pass. Kijima has served his prison term and the sears of war have been erased from Ginza. Ôba is now president of a company specializing in collection of bad debts, cheque frauds and everything that means money. People call their organization the “Private Police,” and Kijima begins to work for Ôba. Now the Takegami gang waits a chance to seize the Ginza territory.
An adaptation of the Rankin/Bass cartoon, "The King Kong Show". King Kong is brought in by the evil Dr. Who to dig for Element X in a mine when the robot Mechani-Kong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle atop Tokyo Tower.
Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.