Old Loves and New 1926

Gervas Carew's wife, Elinor, has deserted him while he was fighting for France, for Lord Clyde Geraldine, a cad of the first order, but Elinor, in turn is cast off when Lord Geraldine turns his attention to an Irish lass, Marny. Marny has no idea of Geraldine's past nor his brutal nature.

The Unnamed Woman 1925

Chastity 1923

A young woman trying to make it in Hollywood decides that the only way she can attain stardom is to go the "vamp" route, although in her private life she's nothing like her on-screen character. She gets the recognition she wants, but for the wrong reason--she finds herself in the middle of a notorious society scandal.

Money, Money, Money 1923

A socially ambitious woman who convinces her father to borrow money from a snobbish man.

The Woman Conquers 1922

Tired of her friends and life as a society leader, Ninon Le Compte goes north to the Hudson Bay area to inspect trapping holdings inherited from her uncle.

The Infidel 1922

Lola Daintry (MacDonald) is an actress who's mad at the world, and especially ministers, one of whom -- her father -- was so cruel that he drove her mother out of the house. When Bully Haynes (Melbourne MacDonald) wants her help in showing up a group of South Seas missionaries, she's more than happy to assist. But Lola doesn't realize she's being used so that Haynes can gain control over the copra trade from his rival, Cyrus Flint (Robert Ellis).

The Beautiful Liar 1921

Directed by Wallace Worsley.

Curtain 1920

Nancy Bradshaw (Katherine MacDonald) is a popular stage star who quits her career to marry millionaire clubman Dick Cunningham (Charles Richman). But after a few years of marriage, he starts seeing other women. Figuring that her public was more faithful to her than her husband, Nancy returns to the stage.

Passion's Playground 1920

Mary Grant has a gambling father and a mother who has disappeared. Even though she has been raised in a convent she proves true to her ancestry by running away to Monte Carlo and spending her small inheritance at the gambling table.

The Turning Point 1920

Upon finding themselves in financial difficulties because of the failure of the Edgerton-Tennant Company, New York socialites Diana and Silvette Tennant decide to work as society hostesses.

The Thunderbolt 1919

The Woman Thou Gavest Me 1919

Mary Mac Neill (Katherine MacDonald), whose father (Theodore Roberts) marries her off to Lord Raa (Jack Holt) in order to satisfy an old grudge. But Mary wants nothing to do with the dissolute Lord and tells him so on their wedding night. So he takes his mistress, Alma Lier (Fritzi Brunette), to India and passes her off as Lady Raa, while Mary disappears to a French village, where she spends time with the man she loved all along, explorer Martin Conrad (Milton Sills).

The Squaw Man 1918

Framed for embezzlement, an English nobleman flees to America, eventually finding romance in Wyoming with a young Native-American. This is the 1918 remake of the 1913 original, the first feature length Hollywood film. It is considered to be a lost film with only one reel still extant.

Battling Jane 1918

Jane is a rootless young lady who finds an abandoned child and adopts it as her own. The decision, however, leads to great conflict with the child's vicious outlaw father.

Riddle Gawne 1918

When Gawne finds his brother dying and hears that the killer has run off with his brother's wife, he swears revenge.

Shark Monroe 1918

In this 1918 film, newly restored by MoMA, Hart is a ship's captain in the Pacific Northwest who abandons his post to pursue a woman who does not love him (MacDonald) across the Klondike, eventually rescuing her from the grip of a white slaver.

Mr. Fix-It 1918

A young man impersonates his best friend, and in doing so upsets the decorum at a stuffy family gathering and falls in love. The arrival of a gang of hoodlums further disrupts the formalities, but our hero thwarts them and saves the day.

Headin' South 1918

A lost film. As described in a film magazine Exhibitors Herald on March 16, 1918: "a forest ranger known only as Headin' South (Fairbanks) goes forth in search of Spanish Joe (Campeau), a Mexican responsible for most of the treachery and outlawry along the U.S.-Mexican boarder. Headin' South gains quite a reputation as he goes along and finally believes himself worthy of joining Joe's band. in a whirlwind finish in which Joe is captured, Headin' South meets one of Joe's near victims (MacDonald) and falls in love with her."