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Karin Elisabeth Dreijer Andersson is a Swedish musician.
They was one-half of the electronic music duo The Knife, formed with their brother Olof Dreijer.
Andersson was previously the vocalist and guitarist of the alternative rock band Honey Is Cool.
Dreijer released their debut solo album under the alias Fever Ray in January 2009.
Their second studio album, Plunge, under the same alias, was released in October 2017.
Beautifully grotesque, politically confrontational and utterly unique: Karin Dreijer's Fever Ray project has come a long way since the immaculate icebox of their eponymous 2009 debut. It's been a thrilling journey. Mournful explorations of parental paranoia and Scandinavian solitude crumbled under the force of a newly emerging identity straining to devour societal interdictions and accepted gender frameworks with 2017's Plunge. Splintered facets of a stridently non-binary personality were explored with 2023's Radical Romantics along with a very human need for intimacy, its most vulnerable moments still as steely and unsettling as a shark circling its prey. Experience the idiosyncratic Fever Ray vision for this exclusive Passengers session beamed in from an abandoned factory in northern France.
The full length official film The Knife - Live At Terminal 5. Filmed in New York in 2014 on the North American leg of their final tour Shaking The Habitual.
Liz walks between different rooms of the city. A bar, a toilet, a wasteland, a garden, a trailer. The cruising body can't, unlike the flaneur, be alone. She won't leave the world outside of her. Several eyes follow her: the women holding the cameras, the director. The director is sending her a love letter. The director needs her cruising body. They are a part of each others fantasies and share a dream about a city's possibility of providing safe sexy spaces. They travel together to look for the rooms in between, to find rooms of their desires.
The history of Swedish electronic music from the early pioneers to today's DJ superstars. This is the story how the music that was misunderstood and ridiculed for centuries suddenly has become bigger than pop and rock for your music lovers. The whole film is edited in one pace - 125 bpm from beginning to end.
Concert film documenting The Knife, taken from the April 12, 2006 concert at the Trädgår'n, Gothenburg, Sweden, in their Silent Shout tour.