Years have passed since the brothers have separated in their different ways of life. But one day, a ghost from the past returns to cast a shadow over the sons of Rizk, forcing them to return to a life of crime and theft once again in order to save themselves, in a fateful operation that is the largest, most dangerous, and most important in the history of the sons of Rizk.
A shy, uncertain man drives his car listening to an aria at night, with his more confident brother, a self-obsessed actor, tied up inside the trunk. They soon arrive at a clearing. The driver digs a ditch and begs his captive to lay inside it. As the story unfolds, the two characters’ dynamics start to shift. The two brothers’ confrontation heats up even more. The whole scene is covered in red. There’s no turning back at this point.
Three years after the events of the first film, the four brothers are trying in various ways to preserve the covenant they made to themselves to stay away from a life of theft and crime, but one event in their lives changes all that, and introduces them to new worlds for them, and puts them in very dangerous confrontations with A number of professional criminals.
When a day in the life of a beleaguered Egyptian filmmaker goes sideways, he witnesses anew issues like class and gender relations.
After killing an orphan boy called (Karim) with her car, (Mona) suffers a psychological shock that made her imagine that Karim lived and grew up. She writes a novel about him and imagined herself to be (Nour) the heroine of the novel,who loved (Karim) and wished to live with him.
Hisham and Hadia, who work at the same advertising agency, an invitation to spend a vacation in Marsa Alam, in a resort owned by Sherihan. Hisham takes his wife, Aida, and Hadia takes her husband, Adel, and the four of them go on a vacation that will put their marriages to the test.
A photojournalist bears witness to a murder and takes photos of the incident, only to find himself involved in the crime. When he becomes a suspect, it's up to him to prove his innocence.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.