atau dikenal sebagai
Kamel El Basha is a Palestinian actor of screen and stage, theater director, play-writer and producer.
He began his career as a stage actor during the 1980s.
He gained critical acclaim in 2017 when he won the Volpi Cup for Best Actor (male) during the 74th Venice International Film Festival for his role as Yasser Abdallah Salameh in The Insult by the Lebanese film director Ziad Doueiri.
It was El Basha's first major role on screen, although he had appeared in a number of theatrical productions, actually also directing some of them.
He is the former artistic director of the Palestinian National Theater in Jerusalem from 2007 to 2011 and the artistic director of Quds Art since 2012.
For the first time in decades, an exile arrives in Palestine and enters his family home. His mission is to recollect and liquidate remnants of the past. His expedition across the present connects him with places, people, and Palestinian plains. The plot thickens when his encounters lead him to a confrontation with Abu Bassam, a steward of the land, who reminds him that Palestine always remembers its people and keeps their roots alive. The exile’s mission transforms from liquidation to reincarnation, leading to a new state of permanence.
Maha, 12, is part of the last generation of Palestinian refugees from the Balata camp. Following a faintness from her blind grandfather, she imagines a crazy project: to make him believe that the wall of separation has fallen and that a return to his native land is possible.
After his recovery, middle-aged Hamza has continued a practice he began 20 years ago when he was freed from an Israeli prison: he goes into the woods every day to chase the lion that the locals don’t think exists. Hamza struggles to reach a peaceful place. Despite his wife’s pleadings and the villagers’ contempt, Hamza sits his baits and traps in the forest, hoping to defeat the mysterious threat. He finds refuge in his journey from social rejection and denial. In the woods, Hamza is free to act according to his beliefs, fighting his own battle to heal an open wound – the trauma of losing his childhood friend, and the horrific memories of torture and guilt.
A woman's visit to a hair salon turns into a nightmare when she is blackmailed by its owner.
Layabout, clandestine lover, small-time hood – Mousa has all kinds of skills. A refugee camp resident, this Palestinian does not give a damn about his father’s hard-won permit to work legally in the Israeli part of Jerusalem – he would rather earn a living stealing Israeli cars and selling them to Palestinian fences. Mousa is convinced that his future lies far away from all the violence and constraints that characterise life in the divided city; his heart, moreover, belongs to a married woman. Following the theft of a Passat one day he is given a brutal goingover by Palestinian militia-men. On closer inspection of the vehicle, he makes a discovery which suddenly makes apolitical Mousa of interest to all sides …
An African American gospel choir is the Greek chorus for a Palestinian play on Martin Luther King, Jr. which tours the West Bank, preaching nonviolence. The devoutly Christian choir grew up in churches strongly allied with Israel. On their first trip to the Holy Land they witness the harsh realities of life under occupation, a nonviolent movement for justice, and an assassination. Our story is a unique view of a crucial human rights conflict. Mixing the excitement of foot-stomping gospel music and creative theater it reveals the power of art to communicate, heal, and give voice to communities living in fear. It is a cultural exchange of immense depth and far-reaching implications, where, during the course of the journey, people's preconceptions are radically changed.