When a smuggler kills his sister, a mentally impaired man vows to deliver justice and joins a martial arts school.
When Superintendent Rajasekar’s daughter is raped by a vengeful smuggler, he takes the law into his own hands and kills the man in a fit of rage. Arrested by his own son—the very police officer he raised—Rajasekar refuses to reveal the real motive behind the murder, determined to protect his daughter’s honor. As the trial unfolds, his other son, a lawyer, must uncover the truth and defend his father, before the silence destroys them all.
Johnny loves Archana, a popular singer, but their lives are disrupted when Johnny's lookalike kills his lover and tries to pin the blame on Johnny.
Billa, a powerful outlaw with a long list of enemies, kills Rajesh, a member of his gang, after he quits the criminal life. But Rajesh's fiancee and his sister pledge to take revenge on Billa.
Raja and Vanisri marry to fulfill a grandfather’s dying wish, but their relationship soon unravels after a tragic misunderstanding involving one of Raja’s former lovers. A missed call, a child's death, and broken trust lead to their separation—each raising a son alone, determined to prove that a child can thrive without the other parent. Years later, both sons grow up to be bright and successful, but their own marriages bring unexpected heartache. As history begins to repeat itself, Raja and Vanisri must come together again—not for themselves, but to mend what their sons are now losing.
A classical bharathanatyam dancer and a nathaswaram player fall in love against the wishes of her family.
Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.