Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.
In 1978, Robakowski moved into a new flat in a newly-built high rise in the center of Łódź. That’s when he began filming the people and events he could see from his kitchen window. The film was made on the basis of a dozen or more hours of footage shot during 1978–1999. The artist filmed the front yard of his block of flats in a part of Łódź called “Manhattan”—a cluster of tall, cement housing buildings vaguely resembling New York’s skyscrapers. The images are accompanied by the artist’s commentary, which brings the viewer closer to his neighbors and family, including his then-wife, Małgorzata Potocka. The film comments on the gradual yet profound political and social transformations that took place in Poland over these two decades.