The heir to a family fortune discovers that a curse has been placed on it, put there centuries before by a band of samurai warriors. Adaptation of novel by Seishi Yokomizo
In 1930, the chance meeting of a novelist and one of his fans opens the door to a series of mysterious events culminating in the death of a wealthy industrialist who may have been leading a double life.
Tai Kato’s early 20th century set yakuza epic about an ordinary merchant girl (Hiroko Maki) who crosses paths with an assassin (Tetsuya Watari). The encounter sends her to jail as a suspected accomplice. Years later she marries a yakuza boss, whose gang is affiliated with working class people.
In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.
Kingoro Tamai moves with his wife and son to the port city of Wakamatsu. He organizes the Tamai-gumi, a stevedore group, to vie for work with two other powerful groups. Gingo is Tamai's chief rival who falls in love with the latter's wife and tries to kill Tamai.
The seventh chapter of the stunning Hibotan Bakuto series. Many years have passed since Oryu the Red Peony began her soul-searching journey after her father was killed. In her travels, she meets villagers whose crops and livelihoods are being destroyed by pollution from a local factory. They seem to work out an agreement, but Oryu must help the poor villagers when the greedy factory owner and corrupt politicians betray them…
The second Bounty Hunter film, when master killer Shikoro Ichibei takes up the cause of a group of farmers being driven to despair by the vile Lord Ozeki. The villainous lord has driven them to mounting their last stand at a deserted fort against an army of attackers. Wakayama Tomisaburo is superb as an expert in killing and military tactics, who leaves his medical practice at a clinic for the poor in order to counter the vicious tactics of that vile lord.
Okatsu the Fugitive is the third film in the "Ohyaku/Okatsu" series. Okatsu; a "tomboy" who is good with a sword. Her father has found her a man to marry and actually she doesn't seem too upset about the situation. At the same time, a bunch of farmers are being slaughtered by a corrupt group running a tobacco smuggling ring. They're being investigated by a man who is documenting their crimes and when they find out about it, they torture him for information but get none. It's not long before he and Okatsu's mother wind up dead and she sets out for revenge.
This film focuses on Okatsu; the adopted daughter of a master swordsman. She is a master with a sword herself and her talents far overshadow that of her brother, and real child of the man who adopted her. Her brother unfortunately has a gambling habit, and it plunges the family into trouble when he loses a lot of money in a crooked dice game. After releasing he is unable to pay the debt he owes; the blame is shouldered by the father, who is killed, leading Okatsu on a path of revenge.
The third chapter of the ‘Red Peony Gambler’ saga depicts the happiness and sadness of Red Peony Oryu’s life as she seals her femininity with a red peony tattoo and lives in world of chivalry and honor of the yakuza. This story takes place in the middle of the Meiji era in Nagoya. Oryu is wandering the country, training herself to reinstate her family name. With a written recommendation from Kumatora, she appears at the door of the Nishinomaru family. At the same time, the family is preparing for the gambling competition at the Netsuda Shrine Festival, which they have been hosting for generations. Meanwhile, the crooked Kinbara family is plotting to take over the competition. And now Oryu is forced to get involved in the struggle…
Three stories of moral sickness set during Japan’s prosperous Genroku era are told in this bloody follow-up to the sexploitation classic Shogun’s Joy of Torture, the politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.