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Juliana Rojas (Campinas, June 23, 1981) is a Brazilian filmmaker.
She graduated in cinema from the School of Communication and Arts of USP.
Still in the university met the director Marco Dutra, with whom she initiated a partnership.
The two directed together in 2004 the short film O Lençol Branco, selected in the Cinéfondation of the Festival de Cannes.
Her first feature, Trabalhar Cansa (2011), again in partnership with Dutra, was also shown at Cannes, at the show Un Certain Regard.
Worked as an editor, in films such as the documentary Pulsações (2011), by Manoela Ziggiatti.
She won the Critics Award for best Brazilian film at the Gramado Festival in 2014, with Symphony of the Necropolis.
Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.
After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.
After heartbreaks and professional disappointments on planet Earth, Julio and Clara decide to flee together into space.
Silvia is a young teacher at an elementary school. One day, her class is interrupted when the students notice her double walking on the other side of the street. Silvia tries to ignore the apparition, but this strange event begins to permeate her daily life and transform her pesonality.
Luis is an 8 year old boy. Dora, his nanny, passed away a few weeks ago. When Dora reappears hidden in Luis's closet, the boy must make great efforts to quench the nanny's hunger.
In a country house, the patient and her husband get involved with the young psychiatrist. The noises of the forest surround them.
Essay on Eva Nil, the first star of Brazilian cinema.