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Judy Holliday (born Judith Tuvim; June 21, 1921 – June 7, 1965) was an American actress, comedian and singer.
She began her career as part of a nightclub act before working in Broadway plays and musicals.
Her success as Billie Dawn in the 1946 stage production of Born Yesterday led to her being cast in the 1950 film version for which she won an Academy Award for Best Actress and a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy.
She was known for her performance on Broadway in the musical Bells Are Ringing, winning a Tony Award for Best Performance by a Leading Actress in a Musical and reprising her role in the 1960 film adaptation.
In 1952, Holliday was called to testify before the Senate Internal Security Subcommittee to answer claims she was associated with communism.
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Widely thought of as “a woman’s director,” legendary film director George Cukor is profiled with the use of film clips and interviews with his friends and colleagues to provide a picture of the director’s unique accomplishments and to trace the arc of his career.
Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.
Ella Peterson works in the basement office of Susanswerphone, a telephone answering service. She listens in on others' lives and adds some interest to her own humdrum existence by adopting different identities for her clients. They include an out-of-work Method actor, a dentist with musical yearnings, and in particular playwright Jeffrey Moss, who is suffering from writer's block and desperately needs a muse.
Laura Partridge is a very enthusiastic small stockholder of 10 shares in International Projects, a large corporation based in New York. She attends her first stockholder meeting ready to question the board of directors from their salaries to their operations.
Robert and Nina Tracey resolve to live separate lives when their eight-year marriage dissolves into disagreements and divorce. But their separate attempts to get back out on the dating scene have a funny way of bringing them together.
Gladys Glover has just lost her modeling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it's love at first sight, but Gladys has her mind on other things, making a name for herself. Through a fluke of advertising she winds up with her name plastered over 10 billboards throughout city.
Florence and Chet Keefer have had a troublesome marriage. Whilst in the middle of a divorce hearing the judge encourages them to remember the good times they have had hoping that the marriage can be saved.
Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn.
Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.
A woman's attempted murder of her uncaring husband results in everyday quarrels in the lives of Adam and Amanda, a pair of happily married lawyers who end up on opposite sides of the case in court.
Pinky Scariano, Allan Ross, and Frankie Davis all join the Army Air Forces with hopes of becoming pilots. In training, they meet and become pals with Bobby Grills and Irving Miller, and the five struggle through the rigid training and grueling tests involved in becoming pilots. Not all of them succeed, and tragedy awaits for some.
The oddly-assorted Hart cousins: revue singer Blossom, con man Harry, and machinist Chiquita (who gets radio through her teeth!), inherit southern plantation Magnolia Manor, which alas proves to be a "termite trap" and tax liability. Fortunately, Sgt. Rocky Fulton from a nearby army camp appears with a plan to convert the place to a hotel for army wives; but to pay bills until then, they decide to put on a show. Of course, romantic and military complications intervene...
This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. The film component of the performance was ultimately never screened due to the absence of projection facilities at the venue. Long-believed to be lost, a workprint was discovered in 2008 and the film had its premiere in 2013.