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Juan Rogelio García García, better known as Juan Orol, was a Mexican-Spanish actor, producer, screenwriter and film director.
He was known as The King of the Mexican Film noir.
He was also known as The Involuntary Surrealist.
He was a pioneer of the Mexican cinema's first talkies and one of the main promoters of the Rumberas film in the Golden Age of Mexican cinema.
His films have been described as cult films.
The daughters of the sun are women who meet the erotic needs of pearl fishermen on the island of Samoa. Marcia is the only one of these women who chooses to whom she gives her sensual pleasures. She rejects Mario, the richest man on the island, and falls for his son, Cándido. After he finds out, Mario seeks to jeopardize Marcia by all means to force her to make her his.
After divorcing her cheating husband, a newly single still and beautiful woman, (played by Actress Rosa Carmina), travels to Acapulco. She soon becomes the center of attention and spoiled for choice when she finds herself wooed by no less than four handsome suitors, three of whom are very wealthy and prominent men. Initially torn between her head and her heart, but mindful of past mistakes, Carmina's character chooses love over money and picks a humble and hard-working waiter. Directed by Juan Orol, (Carmina's soon-to-be ex-husband in real-life), this drama features the long, drawn-out scenes and shadowy film noir techniques which he became well- known for.
Nightclub-owner/gangster discovers that his dame and his second-in-command are cheating on him.
Alma leaves Panama to go live with her aunt Antonia and with Manuel, her husband. There she meets Julio, who tries to woo her.
In a small tropical town, two sisters fight over the love of a young man named José. Fabiola is a noble woman but Sandra will do anything to get him, including witchcraft.
A dedicated wife and mother takes the blame for embezzling money that was actually stolen by her husband in order to buy medicine and a doctor's care for the couple's seriously ill infant son. Consequently, the well-meaning woman is willingly sentenced to years in prison for a crime she did not commit-all because she believes her son will fare better if the bond between father and son remains intact. Upon her release, she soon discovers that no good deed goes unpunished. Her once loving husband has remarried a woman that her son calls Mother, After just a brief glimpse of her loved ones, she simply leaves without saying a word. Many years later, she becomes a patient at her son's busy medical practice just so that she can keep an eye on his progress in secret. In a cruel twist of fate, it is only after he diagnoses her as being terminally ill does does she reveal her true identity. The poor woman subsequently learns that her former father-in-law lied about her initial release from ...