After the suppression of "Let There Be Light" (a documentary about combat-induced post-traumatic stress disorders which presented many inconvenient and demoralizing truths), the U.S. Army Signal Corp created this dramatized up-beat remake of the film. Only this time, the production excluded the involvement of John Houston, the producer of the original documentary.
As rustled cattle have mysteriously disappeared, Johnny sends for his friend Hoppy, Hoppy arrives and immediately suspects Dan Slack. Realizing his telegram about Slack was intercepted, he locks up the operator Lafe knowing he can escape. Tailing Lafe he finds a secret entrance to a mine and inside finds the missing cattle. But Slack's men also find him just as the cattle are stampeded through the mine shaft.
Rodrigo, an impoverished Italian nobleman takes a job with a New York antique dealer he met overseas. Swearing off women, Rodrigo focuses on his job. But complications arise when he falls in love with his friend's secretary-- and his friend's wife looks to make a date with him.
During a quarrel at a Scottish inn, Captain Gordon wounds another officer and flees to New York with detective Jenks on his trail. Once there, he meets Marjory Seaton, an heiress whom her Uncle Tidmarsh is trying to marry to the profligate Winslow, but she is interested in fashionable sportsman Sylvester. One night at a ball, Gordon spies Jenks following him and, in the course of his escape, accepts refuge from a fight promoter named Brooks. At Brooks' request, Gordon substitutes for Sylvester's opponent, burglar Deacon, at a charity bout, and knocks out the real pugilist. Later, during a dinner party at the Tidmarshes', Gordon is mistaken for a lord and, when the real nobleman appears, is denounced as an impostor. A lost film.
A European prince is raised in America without knowing his true identity; he spends his time thrill-seeking, but his country needs him when a revolt threatens the crown.
After the relatively low box office takings of 'Intolerance', D. W. Griffith would revisit his epic film three years later by releasing two of the film's interlocking stories as standalone features, with some new additional footage. The second of these was 'The Mother and the Law', which demonstrates how crime, moral puritanism, and conflicts between ruthless capitalists and striking workers help ruin the lives of marginal Americans.
In order to find out who's behind a cattle rustling operation that's hurting ranchers, a detective for the Cattleman's Protective Association pretends to be a tenderfoot from back east who's just arrived in the area and doesn't know how to ride, rope or shoot.
A rich Easterner who has always wanted to live in "the Wild West" plans to move to a Western town. Unknown to him, the town's "wild" days are long gone and it is an orderly and civilized place now. The townsmen, not wanting to lose a rich potential resident, contrive to make over the town to suit the young man's fantasy.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.