Mangue Beat, a musical and aesthetic movement which emerged in Pernambuco in the 1990s, transformed the visibility of the peripheries and cultural manifestations of the metropolitan area of Recife and placed the state on the map of the world music market with the launching of bands like Chico Science and Nação Zumbi and Mundo Livre S.A. The film experiments with the freedomn of thought of the Mangue using a plural language, which brings togther ideias and ideals, refleting the daring which resulted in the great symbol of the movement: a satellite dish planted in the mud of the estuaries - the Mangue.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Participants recall a series of festivals held on a farm in Brazil during the '70s and '80s that evolved into liberating celebrations of music.
A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.
Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as Tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional Brazilian music of that time.
The film follows the birth of Jorge Mautner up to his 17 years. He was born in Brazil shortly after his parents fled the Holocaust. Raised by a nanny who introduced him to Candomblé, Mautner became a precursor of the Tropicália, contributing to the construction of the identity of Brazilian music.
Caetano Veloso, Gilberto Gil, Jards Macalé and Jorge Mautner recall important moments during the military dictatorship the befell in Brazil from 1964 to 1985. The film presents the events of the prison, life in exile and the return to the country.
Brazilian documentary that tells the story of Titãs, the most famous rock band in the country. The film was directed by one of the members, Branco Mello, using images recorded from the early 80's until the present day.
Gilberto Gil talks with friends and share his thoughts, influences and reveal his impact on brazilian music and vision of the black people.
A colorful feature film that mixes exile with the figure of the poet Rimbaud and the feminist revolution. "It's super-intellectual. A fable-musical-philosophical-chanchada", Mautner says. He also affirms that the work focuses a lot on the longing for Brazil, on the will that the exiled had to return to their homeland. The idea came from conversations between the musician and his old father, "always talking about the pre-Socratics", he recalls. Glauber Rocha states that "The Demiurge" is the best film "of" and "about" exile.