Wild Session 2019

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

Queridos monstruos 2014

Clawing! A Journey Through the Spanish Horror 2014

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

En fuera de juego 2012

Diego, an Argentine doctor traumatized by the soccer since his childhood, is not satisfied with his life. Javi is a representative of kids who start playing soccer, a Spanish third division manager who dreams of an opportunity to change their fate. Suddenly, the discovery of a young Argentinian star, will join Diego and Javi in a common adventure, full of surprises and and picaresque.

Tiempos mejores 1994

The story of the relationship between a showgirl and a former toreador.

Hunting Ground 1983

A female lawyer passionately defends criminals, believing that everyone deserves a second chance. But her latest defendants have no qualms about making her their next victim.

La leyenda del tambor 1981

In June 1808, Napoleon's troops invade Spain. A boy named Isidro will beat his drum in the mountains of El Bruc, making the French army believe that thousands of armed men are waiting to confront them.

Love Letters of a Nun 1978

Spain 1640, the reverend superior nun Mariana, attends the death of her younger sister, Isabel's husband, who is overcome with hopelessness and heartache. Isabel then kisses and caresses the cadaver's exposed body as if he were still alive. Mother Mariana

Blood and Passion 1976

Pamplona, 1975: Dr. Navarro, a famous doctor in the city, feels strongly attracted to Juana, his nurse, who is also in love with the doctor. Navarro, however, moved by his strong religious convictions (in fact, he is a numerary member of Opus Dei) remains faithful to his wife and tries by all means to prevent that their relations with Juana break through professional boundaries. For the purpose of that, he orders the nurse will sent to another hospital. This will push Juana to take the initiative and provoke the doctor during San Fermines.

The Living Dead at Manchester Morgue 1974

When a series of murders hit the remote English countryside, a detective suspects a pair of travelers when it is actually the work of the undead, jarred back to life by an experimental ultra-sonic radiation machine used by the Ministry of Agriculture to kill insects.

Violent Blood Bath 1974

A notoriously harsh French judge, vacationing at a luxury resort, finds his holiday interrupted when a mysterious killer begins murdering those in and around the hotel.

The Legend of Blood Castle 1973

Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.

Canticle 1972

While conducting interviews with women working in local brothels, Fernando, a journalist, meets Elisa. The woman will tell him her dramatic story, which begins at age 14 when she is raped by her godfather.

Tuset Street 1968

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

A Love Story 1967

An aspiring young writer lives with his pregnant wife and works for a newspaper to provide for his growing family. When his sister-in-law comes to visit, there is a mutual attraction between the guest and the writer.

Acteón 1967

An expressionist reimagining of the classic Greek myth involving Acteón and Diana, transposed to Spain's Costa Brava by a future auteur of horror cinema. Based on the myth from Ovid's Metamorphoses in which Acteón accidentally catches a glimpse of Diana, the goddess of love, and is subsequently turned into a deer for his dogs to devour, Jorge Grau's modernist retelling resets the story to contemporary Spain, where a fisherman – played by Martin LaSalle, star of Bresson's Pickpocket – follows an enchanting, flirtatious stranger into the city.

The Rash One 1964

Paco is the boy buttons a luxury hotel. Usually do small businesses with the resale of tickets to bullfights tourists. By a misunderstanding is fired from his job. There is no use of his taste and wanders the Victoria Street taverns. Finally discovers his only chance in bulls, easy craft that believes and loves. The reality is very different and has to accept the truth which manifests itself in a very dramatic.

The Colossus of Rhodes 1961

While on holiday in Rhodes, Athenian war hero Darios becomes involved in two different plots to overthrow the tyrannical king, one from Rhodian patriots and the other from sinister Phoenician agents.

Goliath Against the Giants 1961

Muscleman fights sea monsters and Amazon warriors, then returns home to find a race of giants living in a valley, into which fellow countrymen are being thrown as punishment for opposing a usurper king and his consort.