atau dikenal sebagai
John Trengove (born March 21, 1978; Johannesburg) is a South African film director, known for The Wound (2017) and Manodrome (2023).
John Trengove was born in Johannesburg in 1978.
Trengove is the son of famous South African advocate, Wim Trengove.
He attended New York University's Tisch School of the Arts.
In 2010 he directed the miniseries Hopeville, which was nominated for an international Emmy and received the prestigious Rose d'Or for drama.
It was also released as a 92-minute feature film.
His short film, The Goat, premiered at the Berlinale Film festival in 2014 and screened at over 40 film festivals worldwide.
In 2017, The Wound was releases, which is a controversial film which tracks a closeted relationship between two men in the context of the Xhosa initiation ritual.
The film premiered at the Sundance film festival, and won best feature at Frameline, Sarasota, Valencia and Taipei Film Festivals.
In 2023, he directed Manodrome, which has been labeled as a serious movie that may not appeal to everyone.
Ralphie is an Uber driver and aspiring bodybuilder who is inducted into a libertarian masculinity cult and loses his grip on reality when his repressed desires are awakened.
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
Eastern Cape, South Africa. A lonely factory worker, Xolani, takes time off his job to assist during an annual Xhosa circumcision initiation into manhood. In a remote mountain camp that is off limits to women, young men, painted in white ochre, recuperate as they learn the masculine codes of their culture. In this environment of machismo and aggression, Xolani cares for a defiant initiate from Johannesburg, Kwanda, who quickly learns Xolani's best kept secret, that he is in love with another man.
In 1989, Mozambique is a country ruined by civil war. The train that connects Nampula to Malawi is the only hope for people willing to risk their lives to exchange a few bags of salt for sugar. Running slowly over sabotaged tracks, the journey is filled with obstacles and violence. Mariamu, a frequent traveler, shares her trip with her friend Rosa, a nurse who is going to her new hospital, living the reality of war for the first time, Lieutenant Taiar, who only knows the reality of his military life, and another soldier, Salomão, with whom he doesn’t get along. Amongst bullets and laughter, stories of love and war unfold as the train advances towards the next stop.
Ukwaluka is an ancient circumcision ritual for young men still widely practiced by the Xhosa in South Africa. It marks the transition from youth to manhood. A boy who has just undergone circumcision sits in semi-darkness in a simple hut on a hill, far away from the village, as prescribed by the initiation ritual. He is covered from head to toe with a paint made from clay which makes him look as white as a goat. This should be a period of healing, but he is cold and in pain. His grandfather, who is supposed to induct him into his new life, has not yet appeared. According to the belief system of the Xhosa, Ukwaluka also purges the boy from homosexual desires, for which there is no place in the world of adults.
Hopeville tells the story of Amos, a reformed alcoholic on a mission to forge a relationship with his estranged son, Themba. When father and son arrive in the dusty town of Hopeville, they discover a mean little community where apathy, fear and suspicion are the order of the day. When Amos decides to restore the public swimming pool so that his son can purse a swimming career, he is met with skepticism and resistance from the town's authorities and its inhabitants. Through patience, determination and above all courage, Amos' selfless acts ripples through Hopeville, inspiring others to take action and to do what they know is right. Slowly but surely, good ripples through Hopeville, transforming the town and its inhabitants for good.