"In C, Too" illuminates how close our dreams are to a common reality. Through structured visual improvisational techniques, the work explores how humanity survives because of our imagination and desire to transcend. "In C, Too" is also an origin story, operating in renunciation to mortality, focused on life's essentials - existence, exploration and how entropy ignites evolution.
A live adaptation of art rock band The Residents' 1988 concept album about a disgraced evangelist and his obsession with gender-fluid conjoined twins.
In the year 2023, following the death of Randy Rose, the lead singer of The Residents, his son Randy Junior discovers that his father's ashes have been stolen and listed for sale on eBay by a mysterious culprit. While investigating, Junior discovers the footage for the group's unfinished feature film Vileness Fats in a foot locker in his mother's basement.
The Surrealist, "Exquisite Corpse" was a French Café parlor game. "Exquisite Moving Corpse" is more of an artist chain letter. 60 artists participated over a two-year period, beginning in March 2020. Each invited artist made a one minute video in response to the last frame of the previous minute.
A video memoir in which artist John Sanborn explores the seismic artistic upheaval wrought by three great artists: John Cage, Marcel Duchamp, and Nam June Paik, celebrating the ways each artist challenged assumptions about what defines an artist, art, and the relationship of creator to audience.
This documentary is a history of The Residents hosted by Penn & Teller. It contains excerpts from most of their videos and some are in their complete form. It also contains the complete "Don't Be Cruel" video, their performance of "From the Plains to Mexico" and "Teddy Bear" on Night Music, and other TV appearances.
Set in the American Midwest, Perfect Lives is “about” bank robbery, cocktail lounges, geriatric love, adolescent elopement, the changing of the light at sundown, et al. One of the definitive text-sound compositions of the late 20th century, it has been called "the most influential music/theater/literary work of the 1980s".